Description

Book Synopsis
Research-based theatre aims to present research in a way that is compelling and captivating, connecting with viewers on imaginative and intellectual levels at the same time. Research-Based Theatre brings together scholars and practitioners of research-based theatre to construct a theoretical analysis of the field and offer critical reflections on how the methodology can now be applied. The book shares twelve examples of contemporary research-based theatre scripts and commentaries from an international group of artists and researchers, selected with an eye toward representing different approaches that come from a variety of disciplinary areas.


Table of Contents

Acknowledgements

List of Illustrations

Foreword

John O’Toole and Judith Ackroyd

Introduction

Graham W. Lea and George Belliveau

Section I: Education

Chapter 1: Scripting a Narrative Inheritance: Homa Bay Memories

Graham W. Lea

Chapter 2: The Ink Murderers Can’t Hold It Any Longer

Betsy Ferrer Okello

Chapter 3: The Lives of Incarcerated Youth in Athabasca’s Going Unmanned

Diane Conrad

Chapter 4: Critical Plays: An Exploration in Truth and Verisimilitude

Christine Sinclair and Anne Harris

Section II: Health 75

Chapter 5: Considering Aesthetics: Bringing New Awareness to Patient Safety Culture in Hospitals

Julia Gray and Gail Mitchell

Chapter 6: Communicating about Dementia Care through Theatre: Inside Out of Mind

Tanya Myers and Justine Schneider

Chapter 7: Transitioning Home: Research-Based Theatre with Returning Servicemen and Their Families

Linda Hassall and Michael Balfour

Chapter 8: No Particular Place to Go

Trudy Pauluth-Penner, Warwick Dobson, Monica Prendergast, and Holly Tuokko

Section III: Community 131

Chapter 9: An Ethnographic Performance for Professional Learning

Jane Bird

Chapter 10: Temporarily Yours: Foreign Domestic Workers in Singapore

Prue Wales

Chapter 11: Harriet’s House and Ana’s Shadow: Learning about Other People’s Families

Tara Goldstein

Chapter 12: Performing Autobiography

George Belliveau and Rita L. Irwin

Final Reflections

George Belliveau and Graham W. Lea

Contributors

References

Research-based Theatre: An Artistic Methodology

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    Order before 4pm tomorrow for delivery by Sat 20 Jun 2026.

    A Hardback by George Belliveau, Graham W. Lea

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      View other formats and editions of Research-based Theatre: An Artistic Methodology by George Belliveau

      Publisher: Intellect Books
      Publication Date: 15/10/2016
      ISBN13: 9781783206766, 978-1783206766
      ISBN10: 1783206764

      Description

      Book Synopsis
      Research-based theatre aims to present research in a way that is compelling and captivating, connecting with viewers on imaginative and intellectual levels at the same time. Research-Based Theatre brings together scholars and practitioners of research-based theatre to construct a theoretical analysis of the field and offer critical reflections on how the methodology can now be applied. The book shares twelve examples of contemporary research-based theatre scripts and commentaries from an international group of artists and researchers, selected with an eye toward representing different approaches that come from a variety of disciplinary areas.


      Table of Contents

      Acknowledgements

      List of Illustrations

      Foreword

      John O’Toole and Judith Ackroyd

      Introduction

      Graham W. Lea and George Belliveau

      Section I: Education

      Chapter 1: Scripting a Narrative Inheritance: Homa Bay Memories

      Graham W. Lea

      Chapter 2: The Ink Murderers Can’t Hold It Any Longer

      Betsy Ferrer Okello

      Chapter 3: The Lives of Incarcerated Youth in Athabasca’s Going Unmanned

      Diane Conrad

      Chapter 4: Critical Plays: An Exploration in Truth and Verisimilitude

      Christine Sinclair and Anne Harris

      Section II: Health 75

      Chapter 5: Considering Aesthetics: Bringing New Awareness to Patient Safety Culture in Hospitals

      Julia Gray and Gail Mitchell

      Chapter 6: Communicating about Dementia Care through Theatre: Inside Out of Mind

      Tanya Myers and Justine Schneider

      Chapter 7: Transitioning Home: Research-Based Theatre with Returning Servicemen and Their Families

      Linda Hassall and Michael Balfour

      Chapter 8: No Particular Place to Go

      Trudy Pauluth-Penner, Warwick Dobson, Monica Prendergast, and Holly Tuokko

      Section III: Community 131

      Chapter 9: An Ethnographic Performance for Professional Learning

      Jane Bird

      Chapter 10: Temporarily Yours: Foreign Domestic Workers in Singapore

      Prue Wales

      Chapter 11: Harriet’s House and Ana’s Shadow: Learning about Other People’s Families

      Tara Goldstein

      Chapter 12: Performing Autobiography

      George Belliveau and Rita L. Irwin

      Final Reflections

      George Belliveau and Graham W. Lea

      Contributors

      References

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