Description
Book SynopsisInformed by both new and old media theory, materialist approaches to the study of everyday objects, and a series of close readings that chart the critical history of postcard use in the fiction and correspondence of Ernest Hemingway, Ring Lardner, James Joyce, and Wilfred Owen, this book locates and attempts to rediscover lost, misplaced, and neglected postcard materialities, as they relate to the archiving, editing, publishing, and fictional repurposing of postcards across Anglo-American Literary Modernism (1880-1939). It argues that postcards need to be recognized as important early twentieth-century communication technologies and distinctly modernist textualities, composed of multimedia, rectoverso intertextualities. Moreover, their material limitations encourage users to inscribe messages often in fragmented language forms and innovative cultural shorthands (a.k.a. postcardese). This study redresses the ongoing, widespread scholarly neglect of signifying postcard materialit
Table of Contents
Preface: To Read or not to Read? That is the Materialist Question!
1. Remixing the Matters of Postcards
2. Making an Example out of Hemingway and His Corresponding Postcards
3. The Repressed Postcard always Rings Twice: Ring Lardner’s Negative Postcard Aesthetics
4. My Travels through Postcards with James Joyce: The "U P.:up" Postcard as Prescient Postal Entrapment
5. How to Make a Modernist: Wilfred Owen as Found Postcard Poet
