Description

Book Synopsis
Representing Wars from 1860 to the Present examines representations of war in literature, film, photography, memorials, and the popular press. The volume breaks new ground in cutting across disciplinary boundaries and offering case studies on a wide variety of fields of vision and action, and types of conflict: from civil wars in the USA, Spain, Russia and the Congo to recent western interventions in Afghanistan and Iraq. In the case of World War Two, Representing Wars emphasises idiosyncratic and non-western perspectives – specifically those of Japanese writers Hayashi and Ooka. A central concern of the thirteen contributors has been to investigate the ethical and ideological implications of specific representational choices. Contributors are: Claire Bowen, Catherine Ann Collins, Marie-France Courriol, Éliane Elmaleh, Teresa Gibert, William Gleeson, Catherine Hoffmann, Sandrine Lascaux, Christopher Lloyd, Monica Michlin, Guillaume Muller, Misako Nemoto, Clément Sigalas.

Table of Contents
Acknowledgements List of Figures List of Contributors Introduction Part 1: The Spectacle of War 1 Deconstructing the Spectacle of War? Brian de Palma’s Redacted, Nick Broomfield’s Battle for Haditha, Paul Haggis’s In the Valley of Elah and the Iraq War  Monica Michlin 2 The War in Images: The Poetics of Plasticity in Juan Benet’s Herrumbrosas lanzas  Sandrine Lascaux and Trans. Claire Bowen 3 The Second World War Seen from the Balcony: Representations of the Spectacle of War in the French Post-War Novel  Clément Sigalas Part 2: At a Distance from War 4 The “Comic Opera” of the Allied Intervention in Russia: Off-Staging War in William Gerhardie’s Early Novels  Catherine Hoffmann 5 Margaret Atwood’s Representation of Modern and Imaginary Warfare  Teresa Gibert 6 Memory Keeping and Visual Narratives of Commemoration: Representing Interned Japanese Americans during World War ii  Catherine Collins Part 3: Bringing the War Home 7 Martha Rosler, an American Artist at War with War  Éliane Elmaleh 8 Conflicting Documentary Strategies and Italian Counter-propaganda in the Spanish Civil War  Marie-France Courriol 9 Revisiting the Congo’s Forgotten Wars: Jean Lartéguy’s Les Chimères noires and the Secession of Katanga  Christopher Lloyd 10 “A Boy and His Dog…”: The War in Afghanistan and Storytelling  Claire Bowen Part 4: Experiencing War and Bearing Witness 11 Aphonic Images: Aurality and Silence in Civil War Photography  William Gleeson 12 Profiles of War by Hayashi Fusao: A Writer’s Approach to War  Guillaume Muller 13 Ōoka Shōhei’s Democratization of the Self  Misako Nemoto Conclusion Select Bibliography Index

Representing Wars from 1860 to the Present: Fields of Action, Fields of Vision

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    A Hardback by Claire Bowen, Catherine Hoffmann

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      Publisher: Brill
      Publication Date: Publication Date: 15/02/2018
      ISBN13: 9789004353237, 978-9004353237
      ISBN10:

      Description

      Book Synopsis
      Representing Wars from 1860 to the Present examines representations of war in literature, film, photography, memorials, and the popular press. The volume breaks new ground in cutting across disciplinary boundaries and offering case studies on a wide variety of fields of vision and action, and types of conflict: from civil wars in the USA, Spain, Russia and the Congo to recent western interventions in Afghanistan and Iraq. In the case of World War Two, Representing Wars emphasises idiosyncratic and non-western perspectives – specifically those of Japanese writers Hayashi and Ooka. A central concern of the thirteen contributors has been to investigate the ethical and ideological implications of specific representational choices. Contributors are: Claire Bowen, Catherine Ann Collins, Marie-France Courriol, Éliane Elmaleh, Teresa Gibert, William Gleeson, Catherine Hoffmann, Sandrine Lascaux, Christopher Lloyd, Monica Michlin, Guillaume Muller, Misako Nemoto, Clément Sigalas.

      Table of Contents
      Acknowledgements List of Figures List of Contributors Introduction Part 1: The Spectacle of War 1 Deconstructing the Spectacle of War? Brian de Palma’s Redacted, Nick Broomfield’s Battle for Haditha, Paul Haggis’s In the Valley of Elah and the Iraq War  Monica Michlin 2 The War in Images: The Poetics of Plasticity in Juan Benet’s Herrumbrosas lanzas  Sandrine Lascaux and Trans. Claire Bowen 3 The Second World War Seen from the Balcony: Representations of the Spectacle of War in the French Post-War Novel  Clément Sigalas Part 2: At a Distance from War 4 The “Comic Opera” of the Allied Intervention in Russia: Off-Staging War in William Gerhardie’s Early Novels  Catherine Hoffmann 5 Margaret Atwood’s Representation of Modern and Imaginary Warfare  Teresa Gibert 6 Memory Keeping and Visual Narratives of Commemoration: Representing Interned Japanese Americans during World War ii  Catherine Collins Part 3: Bringing the War Home 7 Martha Rosler, an American Artist at War with War  Éliane Elmaleh 8 Conflicting Documentary Strategies and Italian Counter-propaganda in the Spanish Civil War  Marie-France Courriol 9 Revisiting the Congo’s Forgotten Wars: Jean Lartéguy’s Les Chimères noires and the Secession of Katanga  Christopher Lloyd 10 “A Boy and His Dog…”: The War in Afghanistan and Storytelling  Claire Bowen Part 4: Experiencing War and Bearing Witness 11 Aphonic Images: Aurality and Silence in Civil War Photography  William Gleeson 12 Profiles of War by Hayashi Fusao: A Writer’s Approach to War  Guillaume Muller 13 Ōoka Shōhei’s Democratization of the Self  Misako Nemoto Conclusion Select Bibliography Index

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