Description
Book SynopsisAn examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century. War and violence took many forms in medieval and early modern Europe, from political and territorial conflict to judicial and social spectacle; from religious persecution and crusade to self-mortification and martyrdom; from comedic brutality to civil and domestic aggression. Various cultural frameworks conditioned both the acceptance of these forms of violence, and the protest that they met with: the elusive concept of chivalry, Christianity and just wartheory, political ambition and the machinery of propaganda, literary genres and the expectations they generated and challenged. The essays here, from the disciplines of history, art history and literature, explore how violence and conflict were documented, depicted, narrated and debated during this period. They consider manuals created for and addressed directly to kings and aristocratic patrons; romances whose affective treatments of violence invitedprofoundly empathetic, even troublingly pleasurable, responses; diaries and "autobiographies" compiled on the field and redacted for publication and self-promotion. The ethics and aesthetics of representation, as much as the violence being represented, emerge as a profound and constant theme for writers and artists grappling with this most fundamental and difficult topic of human experience. JOANNA BELLIS is the Fitzjames Research Fellow in Oldand Middle English at Merton College, Oxford; LAURA SLATER holds a Postdoctoral Fellowship from The Paul Mellon Centre for Studies in British Art in London. Contributors: Anne Baden-Daintree, Anne Curry, David Grummitt, Richard W. Kaeuper, Andrew Lynch, Christina Normore, Laura Slater, Sara V. Torres, Matthew Woodcock,
Trade ReviewRepresenting War and Violence is a valuable and enjoyable read. The editors are to be commended for bringing together such a variety of innovative material and for synthesizing these pieces in a clear and cohesive dialogue. They have provided an admirable model for future collections of interdisciplinary research across the field of medieval studies. * LEFT HISTORY *
Table of Contents'Representation' and Medieval Mediations of Violence - Joanna Bellis and Laura Slater Medieval Warfare-Representation Then and Now - Richard W Kaeuper Depicting Defeat in the Grandes Chroniques de France - Christina Normore Visualising War: the Aesthetics of Violence in the Alliterative Morte Arthure - Anne Baden-Daintree 'With face pale': Melancholy Violence in John Lydgate's Troy and Thebes - Andrew Lynch 'In Praise of Peace' in Late Medieval England - Sara V. Torres Representing Political Violence in La Estoire de Seint Aedward le Rei - Laura Slater Representing War and Conquest, 1415-1429: the Evidence of College of Arms Manuscript M9 - Anne Curry Tudor Soldier-Authors and the Art of Military Autobiography - Matthew Woodcock Three Narratives of the Fall of Calais in 1558: Explaining Defeat in Tudor England - David Grummitt Bibliography
