Description
Book SynopsisThis interdisciplinary study explores Marian imagery and representations in world literature and art throughout the centuries. This book demonstrates the widespread deep veneration of the image of the Blessed Virgin Mary in various countries and different Christian traditions. Devotion to the Holy Virgin has served as a bridge to different cultures, overcoming all types of possible borders. Religious and cultural literacy is crucial for domestic and international politics, the practice of peace, harmony, justice and prosperity. This book also gives recognition and pays homage to the influence of the image of Mater Dolorosa in shaping art and literature around the world.
Trade ReviewBuilding on the work of Marian scholars like Pelikan, Tavard, and Warner, Shabliy presents experts who expand our knowledge of images of Mary in world literature and art to include Russia, China, Japan, and Central America. These essays bring to life world-wide images of the Virgin Mary as both dolorosa (sorrowful) and speciosa (beautiful) mother. -- David J. Leigh, S.J., Seattle University
Table of ContentsIntroduction: Ave Maria The Holy Mary as the Virgin Priest Chapter 1: The Flesh of Mary and the Body of Christ: Typological and Artistic Depictions of the Marian Priest Catholic Veneration of the Virgin Mary Chapter 2: Comparative Study of the Image of Virgin Mary of Częstochowa and Virgin of Guadalupe The Mother of God in Byzantine Art Chapter 3: Fighting for the Spotlight: Mary in Byzantine Art and Literature The Blessed Virgin Mary in Medieval Times Chapter 4: Sing the Praise of Mary: Mariology in Medieval Latin Hymns The Virgin Mary in China and Japan Chapter 5: The Christian Bodhisttva in China: Sinicization of the Virgin Mary in Chinese Catholic Literature Chapter 6: The Mother of Sorrows as Hibakusha Conclusion
