Description

Book Synopsis
Being Mara Brock Akil: Representations of Black Womanhood on Television examines the body of work of Mara Brock Akil, the showrunner who produced Girlfriends, The Game, Being Mary Jane, and Love Is__. The contributions to this volume are theoretically anchored in Patricia Hill Collin's Black Feminist Thought, with a focus on how Brock Akil's shows intentionally address Black humanity and specifically provide context for Black women's lived experiences and empathy for Black womanhood by featuring woman-centered characters with flaws, strength, and complexity. Shauntae Brown White and Kandace L. Harris have compiled a volume that analyzes themes that define Black womanhood and examines audience reception of and social media interaction with Brock Akil's work.

Trade Review
Representations of Black Womanhood on Television: Being Mara Brock Akil is a powerful collaboration of Black female scholars shining light on a storyteller that has centered Black female voices for more than two decades. This text is both a picture and celebration of a Black woman who dared to dream. As such this volume marks its place in history and is guaranteed to be a resource for scholars and creatives interested in shining light on people in the shadows. -- Omotayo Banjo, University of Cincinnati

In Representations of Black Womanhood on Television: Being Mara Brock Akil, Shauntae Brown White and Kandace L. Harris present an exquisite collection of scholarship--both critical interrogations and audience analyses— that not only examines Mara Bock Akil’s creative oeuvre, but also details how this media tour de force locates and makes accessible Black women’s humanity. The strength of this carefully curated volume of edited work is that the authors consider both creation and depiction to provide readers with new insights into what authentic representational inclusion means.

-- Robin R. Means Coleman, Texas A&M University

Table of Contents
Introduction: Being Mara

Chapter 1: ‘Girlfriends - There, Through Thick and Thin!’: African American Female Sisterhood and the Quest for Happiness

Chapter 2: Professional Success, Personal Turmoil: The Black Working Woman Image in Girlfriends

Chapter 3: Real, Respectable, or Both: Respectability on Being Mary Jane through the Words of Mara Brock Akil

Chapter 4: ‘Girl, You Know I Got You:’ The Ideology of Sisterhood on Being Mary Jane

Chapter 5: What Love Is and Is Not: A Critical Discourse Analysis

Chapter 6: Navigating The Game of Life: Women Viewers & The Game

Chapter 7: Social Networks, Television and Black Women: An Analysis of Facebook Representations of Being Mary Jane

Chapter 8: Social TV and Stereotypes: The Social Construction of #BeingMaryJane on Twitter

Chapter 9: @MaraAkil: An Analysis of the Mara’s Balance of Life, Family and Production on Instagram

Afterword

Representations of Black Womanhood on Television

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    A Paperback by Kandace L. Harris, Imani M. Cheers

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      Publisher: Lexington Books
      Publication Date: 1/15/2021 12:03:00 AM
      ISBN13: 9781498592680, 978-1498592680
      ISBN10: 1498592686

      Description

      Book Synopsis
      Being Mara Brock Akil: Representations of Black Womanhood on Television examines the body of work of Mara Brock Akil, the showrunner who produced Girlfriends, The Game, Being Mary Jane, and Love Is__. The contributions to this volume are theoretically anchored in Patricia Hill Collin's Black Feminist Thought, with a focus on how Brock Akil's shows intentionally address Black humanity and specifically provide context for Black women's lived experiences and empathy for Black womanhood by featuring woman-centered characters with flaws, strength, and complexity. Shauntae Brown White and Kandace L. Harris have compiled a volume that analyzes themes that define Black womanhood and examines audience reception of and social media interaction with Brock Akil's work.

      Trade Review
      Representations of Black Womanhood on Television: Being Mara Brock Akil is a powerful collaboration of Black female scholars shining light on a storyteller that has centered Black female voices for more than two decades. This text is both a picture and celebration of a Black woman who dared to dream. As such this volume marks its place in history and is guaranteed to be a resource for scholars and creatives interested in shining light on people in the shadows. -- Omotayo Banjo, University of Cincinnati

      In Representations of Black Womanhood on Television: Being Mara Brock Akil, Shauntae Brown White and Kandace L. Harris present an exquisite collection of scholarship--both critical interrogations and audience analyses— that not only examines Mara Bock Akil’s creative oeuvre, but also details how this media tour de force locates and makes accessible Black women’s humanity. The strength of this carefully curated volume of edited work is that the authors consider both creation and depiction to provide readers with new insights into what authentic representational inclusion means.

      -- Robin R. Means Coleman, Texas A&M University

      Table of Contents
      Introduction: Being Mara

      Chapter 1: ‘Girlfriends - There, Through Thick and Thin!’: African American Female Sisterhood and the Quest for Happiness

      Chapter 2: Professional Success, Personal Turmoil: The Black Working Woman Image in Girlfriends

      Chapter 3: Real, Respectable, or Both: Respectability on Being Mary Jane through the Words of Mara Brock Akil

      Chapter 4: ‘Girl, You Know I Got You:’ The Ideology of Sisterhood on Being Mary Jane

      Chapter 5: What Love Is and Is Not: A Critical Discourse Analysis

      Chapter 6: Navigating The Game of Life: Women Viewers & The Game

      Chapter 7: Social Networks, Television and Black Women: An Analysis of Facebook Representations of Being Mary Jane

      Chapter 8: Social TV and Stereotypes: The Social Construction of #BeingMaryJane on Twitter

      Chapter 9: @MaraAkil: An Analysis of the Mara’s Balance of Life, Family and Production on Instagram

      Afterword

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