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Book Synopsis
Like hardly any other artist, Pierre-Auguste Renoir has shaped our understanding of the atmospheric figure paintings of Impressionism. His painting La fin du déjeuner, which has been in the Städel Museum in Frankfurt since 1910, is now the starting point for a far-reaching examination of an important source of inspiration that accompanied him throughout his life: the Rococo. Considered frivolous and immoral after the French Revolution, this style of painting experienced a renaissance in the 19th century and was widely celebrated during Renoir’s lifetime. Published on the occasion of the Städel Museum’s major exhibition, this comprehensive volume explores Renoir’s multifaceted connection to tradition through illuminating juxtapositions of his art with 18th-century works and contemporaries.

Renoir (German edition): Rococo Revival

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    £45.00

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    RRP £60.00 – you save £15.00 (25%)

    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Hardback by Alexander Eiling, Juliane Betz, Fabienne Ruppen

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      View other formats and editions of Renoir (German edition): Rococo Revival by Alexander Eiling

      Publisher: Hatje Cantz
      Publication Date: 28/04/2022
      ISBN13: 9783775751339, 978-3775751339
      ISBN10: 3775751335

      Description

      Book Synopsis
      Like hardly any other artist, Pierre-Auguste Renoir has shaped our understanding of the atmospheric figure paintings of Impressionism. His painting La fin du déjeuner, which has been in the Städel Museum in Frankfurt since 1910, is now the starting point for a far-reaching examination of an important source of inspiration that accompanied him throughout his life: the Rococo. Considered frivolous and immoral after the French Revolution, this style of painting experienced a renaissance in the 19th century and was widely celebrated during Renoir’s lifetime. Published on the occasion of the Städel Museum’s major exhibition, this comprehensive volume explores Renoir’s multifaceted connection to tradition through illuminating juxtapositions of his art with 18th-century works and contemporaries.

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