Description
Book SynopsisIn
Remote Avant-Garde Jennifer Loureide Biddle interrogates the avant-garde art of Aboriginal communities in the Australian desert, showing how it is an act of survival in the face of state occupation and a means to revive at-risk vernacular languages and cultural heritages.
Trade Review"[W]ith a breathtaking focus on the new, the emergent, the hybrid and the innovative (213), the book’s artworks, and the writing itself, bristle with energy.... This is a refreshingly sensitive and nuanced account that is a must-read not only for those interested in the specificities of emerging Indigenous artistic traditions in the Northern Territory and elsewhere, but also for those interested in the ongoing political, cultural and economic processes of so-called ‘settler’ societies across Australia and beyond."
-- Peter Kilroy * LSE Review of Books *
"
Remote Avant-Garde: Aboriginal Art under Occupation, by Jennifer Loureide Biddle, is a welcome addition to the literature on Indigenous Australian art, and more broadly to anthropologies of art, Indigenous Australia, and global Indigenous arts and aesthetics. I heartily recommend it to anyone in those fields, and would happily teach with it in anthropology, art history, art/artworlds, and museum studies." -- Sabra G. Thorner * Anthropological Quarterly *
"Jennifer Loureide Biddle has dared to deal with a daunting, dazzling array of 'remote' art in its multiple forms and complex contexts. The result is a profound, far from dispassionate book which does justice to an extraordinary canon of art." -- Noelene Cole * Journal of Anthropological Research *
"
Remote Avant-Garde brilliantly revitalizes the literature on Aboriginal art by attending to fascinating experimental art practices and a fresh aesthetics emerging in remote Aboriginal communities. . . . [It] should be read not only by scholars interested in Aboriginal art but also anyone wanting to understand creative forms of political agency in colonial and postcolonial contexts." -- Rosita Henry * American Anthropologist *
Table of ContentsList of Illustrations vii
Acknowledgments xiii
Introduction. The Imperative to Experiment 1
1. Humanitarian Imperialism 21
Part I. Biliteracies
2. Tangentyere Artists 41
3. June Walkutjukurr Richards 77
4. Rhonda Unurupa Dick 91
Part II. Hapticities
5. Tjanpi Desert Weavers 109
6. Warnayaka Art:
Yurlpa 139
7. Yarrenyty Arltere Artists 159
Part III. Happenings
8.
Yiwarra Kuju: The Canning Stock Route 181
9. The Warburton Arts Project 197
Epilogue: (Not) a "Lifestyle Choice" 217
Notes 221
Further Resources 233
References 235
Index 257
