Description
Book SynopsisIn the 1990s, China’s economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high Socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender and locality in contemporary China.
Table of ContentsAcknowledgements
Introduction: Revolution and TV Drama: The Uneasy Bedfellows in the Reform Era
Chapter 1: TV Dramas as Market Commodities, Cultural Artifacts and Social Practices
Chapter 2: Hybridising the Red Classics in Post-Mao China: The Production and Consumption Context
Chapter 3: From Chief to Chef: Remoulding Heroes
Chapter 4: Getting the Right Mix: Revolutionary Women and Contemporary Femininity
Chapter 5: Living Red: Production, Consumption and Local Memory of Revolutionary Culture in Linyi
Chapter 6 The Question of Faith in TV Drama Series
Conclusion
Filmography
Bibliography
