Description
Book SynopsisPanamanian Suite narrates the complex relationship between Panama and the United States by tracing the paths of their music, tracking the development of jazz in Panama from the mid-nineteenth century to the modern day through three movements: pre-jazz, jazz, and global jazz. As a vital port of Caribbean migration in the twentieth century, Panama played an essential role in the emergence and shaping of jazz and other cultural forms, many of which influenced culture on the mainland United States. Patricia Zarate de Perez explores new narratives of jazz from a Pan-Afro-Latin American perspective, beginning with an examination of music that contributed to a Panamanian imaginary which justified the expansion of imperial territories beginning in the mid-nineteenth century. This Panamanian imaginary and the white supremacy embedded within it also served as a basis for the erasure of the contributions of Panamanians throughout jazz history, but not without resistance—modern Panamanian artists and cultural leaders continue to enact redressing actions even now. The book documents a history of jazz in Panama, naming its principal characters and culminating with the development of Global Jazz, a twenty-first century imaginary centered on the next generation of musicians and their place in jazz history.
Table of ContentsPart I: First Movement: Pre-Jazz—The Birth of Imaginaries
Chapter 1: Creating Imaginary Panama Through Music
Chapter 2: The Music of the Panama Canal
Part II: Second Movement: Jazz—Erasing Contributions
Chapter 3: Panamanians in Jazz
Chapter 4: Tambo Jazz and the Golden Era of Jazz in Panama
Part III: Third Movement: Global Jazz—Redressing Actions
Chapter 5: Panama’s Redressing Actions
Chapter 6: Global Jazz
ulture, , jazz studies
