Description

Book Synopsis

Reflections on Critical Museology: Inside and Outside Museums offers a reflective and reflexive re-assessment of museum studies and the first wide-ranging account of critical museology.

Drawing on an extensive range of examples from museums and across the museological literature, which are purposefully representative of very different cultural backgrounds, the book issues a plea for critical thinking in and about museums. The various institutions covered and the plural analytical standpoints offer a broad interdisciplinary approach by intermingling art history, anthropology, sociocultural theories and heritage studies. The result is not claimed as a universal or all-encompassing account but a subjective review produced by J. Pedro Lorente, an art critic and historian who has been writing extensively about critical museology' in different languages for many years. Lorente offers a fascinating synopsis of his ideas in this extremely valuable short book, looking

Table of Contents

Introduction; 1 Academic echoes of the label ‘critical museology’ and its referents; 2 Museums in question, self-questioning museums; 3 Variety and plurality in spatial and interpretive discourse; 4 Representations of historical legacies in times of self-reflexive museology; 5 Final considerations; Index.

Reflections on Critical Museology

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    A Hardback by J. Pedro Lorente

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      View other formats and editions of Reflections on Critical Museology by J. Pedro Lorente

      Publisher: Taylor & Francis Ltd
      Publication Date: 2/21/2022 12:00:00 AM
      ISBN13: 9781032202907, 978-1032202907
      ISBN10: 1032202904

      Description

      Book Synopsis

      Reflections on Critical Museology: Inside and Outside Museums offers a reflective and reflexive re-assessment of museum studies and the first wide-ranging account of critical museology.

      Drawing on an extensive range of examples from museums and across the museological literature, which are purposefully representative of very different cultural backgrounds, the book issues a plea for critical thinking in and about museums. The various institutions covered and the plural analytical standpoints offer a broad interdisciplinary approach by intermingling art history, anthropology, sociocultural theories and heritage studies. The result is not claimed as a universal or all-encompassing account but a subjective review produced by J. Pedro Lorente, an art critic and historian who has been writing extensively about critical museology' in different languages for many years. Lorente offers a fascinating synopsis of his ideas in this extremely valuable short book, looking

      Table of Contents

      Introduction; 1 Academic echoes of the label ‘critical museology’ and its referents; 2 Museums in question, self-questioning museums; 3 Variety and plurality in spatial and interpretive discourse; 4 Representations of historical legacies in times of self-reflexive museology; 5 Final considerations; Index.

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