Description

Book Synopsis


Trade Review
ASCAP Deems Taylor Award, 1987.

"The opening chapters are among the best things ever published on the blues. It's a thoughtful, substantial, solidly constructed, information packed work, and should be in every serious blues enthusiast's library. But more than that, it is a major contribution to the study of popular culture."--Paul Oliver, Juke Blues
"A brilliant and exhaustive study of Afro-American secular music in the Southeast in this century. And it is a broader tradition, and not the blues per se, that is being examined here. . . . Bastin illuminates the importance of black string band traditions, balladry, music derived from minstrel and medicine show traditions as well as sacred forms not just as blues antecedents, but as significant parallel strains to blues in the repertories of many musicians up to the present."--Art Rosenbaum, Georgia Historical Quarterly

Red River Blues The Blues Tradition in the

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    A Paperback by Bruce Bastin

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      View other formats and editions of Red River Blues The Blues Tradition in the by Bruce Bastin

      Publisher: MO - University of Illinois Press
      Publication Date: 10/1/1995 12:00:00 AM
      ISBN13: 9780252065217, 978-0252065217
      ISBN10: 0252065212

      Description

      Book Synopsis


      Trade Review
      ASCAP Deems Taylor Award, 1987.

      "The opening chapters are among the best things ever published on the blues. It's a thoughtful, substantial, solidly constructed, information packed work, and should be in every serious blues enthusiast's library. But more than that, it is a major contribution to the study of popular culture."--Paul Oliver, Juke Blues
      "A brilliant and exhaustive study of Afro-American secular music in the Southeast in this century. And it is a broader tradition, and not the blues per se, that is being examined here. . . . Bastin illuminates the importance of black string band traditions, balladry, music derived from minstrel and medicine show traditions as well as sacred forms not just as blues antecedents, but as significant parallel strains to blues in the repertories of many musicians up to the present."--Art Rosenbaum, Georgia Historical Quarterly

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