Description
Book SynopsisPresenting a novel and needed theoretical model for interpreting shipwrecks and other drowned fragmentsthe histories they tell, and the futures they presageas junctures of artefact and ecofact, human remains and emergent ecologies, this book puts the environmental humanities, and particularly multispecies studies, in close conversation with literary studies, history, and aesthetic theory. Earth's oceans hold the remains of as many as three million shipwrecks, some thousands of years old. Instead of approaching shipwrecks as either artefacts or ecofacts, this book presents a third frame for understanding, one inspired by the material dynamism of sea-floor stuff. As they become encrusted by oceanic mattersome of it living, some inanimateanthropic fragments participate in a distinctively submarine form of material relation. That relation comprises a wide, and sometimes incalculable, array of things, lives, times, and stories. Drawing from several centuries of literary, philosophical, an
Trade ReviewReading Underwater Wreckage is a book that does not operate at the surface; it is not an overview. Instead, The Encrusting Ocean introduces a dynamic methodology in oceanic interpretation that focuses on submerged artifacts. The book's encrusted theory unfolds as a valuable addition to the growing body of work in the blue humanities and new materialism. It is a book that inevitably will push the blue humanities to greater depths. -- Professor Sid Dobrin, University of Florida, USA
This book is a remarkable confluence of material culture, environmental humanities, and literary studies – but at its heart is the work of the sea itself. Quigley invites us to sift through the de debris of the seafloor with new feelers, new eyes, new conceptual prosthetics. We are invited to rethink the sea as archive and artist, and to reconsider what sunken treasure augurs in a time of rapid cultural and environmental change. * Astrida Neimanis, University of British Columbia, Canada *
Reading Underwater Wreckage is a poignant and insightful entreaty to keep in mind that how we think and write, and conduct science, about wreckage is of paramount importance because wrecks are not things of the past. They are real things that impact real lives, then as now. -- Sarah Rich * Journal of Maritime Archaeology *
Table of ContentsFigures Acknowledgements Preface: Submersions, Wrecks, and Stirrings Introduction I. Lively Debris: Ontologies of an Encrusting Ocean II. First Habit: Fouling III. Second Habit: Concrescing IV. Third Habit: Artmaking
Bibliography Index
