Description

Book Synopsis
The incredible painting collection of the State Library of New South Wales is documented for the first time.

The State Library of New South Wales holds an unrivalled collection of oil paintings. Unlike an art gallery where the focus is usually on aesthetic excellence, the rationale behind the Library's collecting is broad and often eclectic. It features works from artists such as Conrad Martens and John Glover, and others of variable quality, execution and skill, with a range of formats and diversity of subjects that tell us much about Australia.

Reading the Rooms reveals this little-known -- but rich and highly significant -- collection. It delivers a fascinating and authoritative account of hundreds of paintings, and a compelling argument for their importance.

Reading the Rooms: Behind the paintings of the

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RRP £55.00 – you save £8.25 (15%)

Order before 4pm today for delivery by Sat 20 Dec 2025.

A Hardback by Richard Neville, Rachel Franks

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    View other formats and editions of Reading the Rooms: Behind the paintings of the by Richard Neville

    Publisher: NewSouth Publishing
    Publication Date: 01/12/2023
    ISBN13: 9781742238012, 978-1742238012
    ISBN10: 1742238017

    Description

    Book Synopsis
    The incredible painting collection of the State Library of New South Wales is documented for the first time.

    The State Library of New South Wales holds an unrivalled collection of oil paintings. Unlike an art gallery where the focus is usually on aesthetic excellence, the rationale behind the Library's collecting is broad and often eclectic. It features works from artists such as Conrad Martens and John Glover, and others of variable quality, execution and skill, with a range of formats and diversity of subjects that tell us much about Australia.

    Reading the Rooms reveals this little-known -- but rich and highly significant -- collection. It delivers a fascinating and authoritative account of hundreds of paintings, and a compelling argument for their importance.

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