Description

Book Synopsis

This astute guide to the literary achievements of American novelists in the twentieth century places their work in its historical context and offers detailed analyses of landmark novels based on a clearly laid out set of tools for analyzing narrative form.

  • Includes a valuable overview of twentieth- and early twenty-first century American literary history
  • Provides analyses of numerous core texts including The Great Gatsby, Invisible Man, The Sound and the Fury, The Crying of Lot 49 and Freedom
  • Relates these individual novels to the broader artistic movements of modernism and postmodernism
  • Explains and applies key principles of rhetorical reading
  • Includes numerous cross-novel comparisons and contrasts



Trade Review

“It is an excellent book.” (Primary Health Care,1 March 2015)

“Reading the American Novelis also a rich experience, both in terms of the novels discussed and in terms of their literary-critical examination.” (Partial Answers: Journal of Literature and the History of Ideas,13 January 2014)



Table of Contents

Acknowledgments vii

Introduction: Reading the American Novel, 1920–2010 1

1 Principles of Rhetorical Reading 23

2 The Age of Innocence (1920): Bildung and the Ethics of Desire 39

3 The Great Gatsby (1925): Character Narration, Temporal Order, and Tragedy 61

4 A Farewell to Arms (1929): Bildung, Tragedy, and the Rhetoric of Voice 85

5 The Sound and the Fury (1929): Portrait Narrative as Tragedy 105

6 Their Eyes Were Watching God (1937): Bildung and the Rhetoric and Politics of Voice 127

7 Invisible Man (1952): Bildung, Politics, and Rhetorical Design 149

8 Lolita (1955): The Ethics of the Telling and the Ethics of the Told 171

9 The Crying of Lot 49 (1966): Mimetic Protagonist,
Thematic–Synthetic Storyworld 193

10 Beloved (1987): Sethe’s Choice and Morrison’s Ethical Challenge 213

11 Freedom (2010): Realism after Postmodernism 237

Index 261

Reading the American Novel 19202010

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    A Hardback by James Phelan

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      View other formats and editions of Reading the American Novel 19202010 by James Phelan

      Publisher: John Wiley and Sons Ltd
      Publication Date: 17/05/2013
      ISBN13: 9780631230670, 978-0631230670
      ISBN10: 063123067X

      Description

      Book Synopsis

      This astute guide to the literary achievements of American novelists in the twentieth century places their work in its historical context and offers detailed analyses of landmark novels based on a clearly laid out set of tools for analyzing narrative form.

      • Includes a valuable overview of twentieth- and early twenty-first century American literary history
      • Provides analyses of numerous core texts including The Great Gatsby, Invisible Man, The Sound and the Fury, The Crying of Lot 49 and Freedom
      • Relates these individual novels to the broader artistic movements of modernism and postmodernism
      • Explains and applies key principles of rhetorical reading
      • Includes numerous cross-novel comparisons and contrasts



      Trade Review

      “It is an excellent book.” (Primary Health Care,1 March 2015)

      “Reading the American Novelis also a rich experience, both in terms of the novels discussed and in terms of their literary-critical examination.” (Partial Answers: Journal of Literature and the History of Ideas,13 January 2014)



      Table of Contents

      Acknowledgments vii

      Introduction: Reading the American Novel, 1920–2010 1

      1 Principles of Rhetorical Reading 23

      2 The Age of Innocence (1920): Bildung and the Ethics of Desire 39

      3 The Great Gatsby (1925): Character Narration, Temporal Order, and Tragedy 61

      4 A Farewell to Arms (1929): Bildung, Tragedy, and the Rhetoric of Voice 85

      5 The Sound and the Fury (1929): Portrait Narrative as Tragedy 105

      6 Their Eyes Were Watching God (1937): Bildung and the Rhetoric and Politics of Voice 127

      7 Invisible Man (1952): Bildung, Politics, and Rhetorical Design 149

      8 Lolita (1955): The Ethics of the Telling and the Ethics of the Told 171

      9 The Crying of Lot 49 (1966): Mimetic Protagonist,
      Thematic–Synthetic Storyworld 193

      10 Beloved (1987): Sethe’s Choice and Morrison’s Ethical Challenge 213

      11 Freedom (2010): Realism after Postmodernism 237

      Index 261

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