Description
Book Synopsis
First conceived in 1966 but only completed in 2004, Brian Wilson Presents Smile has been called the best-known unreleased album in pop music history and an American Sergeant Pepper. Reading Smile offers a close analysis of the recording in its social, cultural and historical contexts.
It focuses in particular on the finished work's subject matter as embodied in Van Dyke Parks' contentious yet little understood lyrics, with their low-resolution, highly allusive portrayals of western expansion's archetypes, from Plymouth Rock, Massachusetts to Diamond Head, Hawaii. Documenting their multiple references and connotations, it argues that their invocations of national self-definition are part of a carefully crafted vision of American identity, society and culture both in tune and at odds with the times. Critical of the republic's past practices but convinced that its ideals, values and myths still provided resources to redeem it, the recording is interpre
Table of Contents
Introduction
1 Into the Mystic? The Undergrounding of Brian Wilson and Van Dyke Parks, 1964–1967
2 My Regeneration: The Salvation of "Heroes and Villains"
3 Uncovering the Cornfield: "Cabin Essence" and the Revision of History
4 Wonderful Land: Smile’s Child Ballads
5 Wave Power: Smile’s Renewable Energies
Conclusion
