Description
Book SynopsisReading Rio de Janeiro is an experiment in literary and social history, which combines literary analysis and the tools of close and distant reading with quantitative evidence from archival sources in order to reveal new insights regarding the integration of individuals into a complex and changing society.
Trade Review"The scholarship is deep, original, and the author addresses familiar topics in an entirely new and illuminating way.
Reading Rio is a major contribution to knowledge.—Alida Metcalf, Rice University
"Stimulating and attractive—Frank perceptively uses history to understand literature." -- Richard Graham * The University of Texas at Austin *
Table of ContentsContents and Abstracts1Sonhos d'Ouro chapter abstract
This chapter describes and analyzes the novel Sonhos d'Ouro, by José de Alencar. Drawing on literary and social history, the chapter explores the characters and settings in this important novel in order to uncover Alencar's distinctive vision for social integration and the reconciliation of metropolitan wealth and provincial virtue. The character of Guida Soares is shown to represent the caprice and, concomitantly, the latent potential goodness inherent in capital honestly accumulated; her counterpart, Ricardo Nunes, is understood as Alencar's proxy for a virtuous and idealistic young man from the provinces. Together, their story represents a version of Bildung wherein an alternative mode of social integration is made possible.
2Memórias Póstumas de Brás Cubas chapter abstract
This chapter explores the novel Memórias Póstumas de Brás Cubas, by Joaquim Maria Machado de Assis, from literary and historical perspectives. This reading of the novel, long considered a masterpiece of world literature, emphasizes its relation to the literary field in which it was embedded, within and beyond Brazil, as well as the social historical dimensions of the urban space therein depicted. The novel is placed into context with works by Balzac and Flaubert—extending and modifying previous readings that emphasized its sui generis, Brazilian content. Additionally, the chapter shows how Brás Cubas can be read alongside Sonhos d'Ouro—highlighting the different answers to the problem of social integration provided by Machado de Assis and José de Alencar.
3O Coruja chapter abstract
This chapter analyzes the novel O Coruja, by Aluísio Azevedo. A more obscure novel than those discussed in the first two chapters, this work by Azevedo is also read in both literary and social historical perspective, allowing for an exploration of the themes of environmental determinism and social hierarchies in Rio de Janeiro during the 1880s.
4Sentimental Educations chapter abstract
This chapter develops an interpretation of the problem of the individual and his or her integration into society. Building upon the foundation laid in the first three chapters, this analysis engages a broader range of novels and focuses on the problem of comportment in social settings. History and social theory combine to offer a reading of nineteenth-century Brazilian novels that highlight the key milestones and challenges associated with the growth and development of fictional protagonists, including the themes of education and career.
5Marriage and Money chapter abstract
This chapter examines the way marriage and money intersected in nineteenth-century Rio de Janeiro as depicted in novels and against a backdrop of social historical data. Using parish records and estate inventories, the analysis shows how the realistic commitments of nineteenth-century authors echoed and reproduced an image of social structure surrounding the critical issues of wealth and family in Rio de Janeiro.
6Problems of Spatial Practice chapter abstract
This chapter reads nineteenth-century novels set in Rio de Janeiro in terms of spatial practices. Through a combination of close and distant reading, novels are shown to contain detailed scripts referring to spatial practices ranging from the open spaces of sociability, such as the street and theater, to the closed spaces of the house. Within these spaces, the disposition and movement of characters is shown to reflect core aspects of social reality and the strategic and tactical maneuverings available to individuals of varied class status, age, and gender.
