Description
Book SynopsisExamines how American culture talks about sexual violence and explains why, in the latter twentieth century, rape achieved such significance as a trope of power relations. This book argues that the representation of rape has been a major force in the cultural construction of sexuality, gender, race, ethnicity, class, and indeed national identity.
Trade Review"With its insightful readings of a broad array of texts, unusual juxtapositions of less canonical works, and controversial engagement with a range of feminist and cultural studies texts, this book is certain to draw considerable interest from within and outside of the academy."
—Valerie Smith, Princeton University"
Reading Rape is a fascinating work of literary and cultural analysis that will help to shape our debates about rape and representation for some time to come."
—Michael Awkward, University of PennsylvaniaTable of ContentsAcknowledgments vii Introduction:What We Talk about When We Talk about Rape 1 CHAPTER ONE Seduced and Enslaved:Sexual Violence in Antebellum American Literature and Contemporary Feminist Discourse 12 "Rape Crisis "or "Crisis in Sexual Identity"? The Feminist Rhetoric of Rape 13 "Guilty Passions" and" Foul Words": The Powers of Seduction and the Racialization of Sexual Violence 15 The Deployment of Sexual Violence and the" Cult of Secrecy": Historicizing the Feminist Rhetoric of Rape 27 CHAPTER TWO The Rise of the (Black) Rapist and the Reconstruction of Difference; or, "Realist" Rape 33 "Black Claws into Soft White Throat" and Other Bestialities: Rapist Rhetoric, Rivalry, and Homosocial Desire in Thomas Nelson Page's Red Rock, Thomas Dixon's The Clansman, and Frank Norris's McTeague 35 "A Tender Lamb Snatched from the Jaws of a Hungry Wolf": Inversions of Rapist Rhetoric in Frances E. W. Harper's Iola Leroy 50 "The One Crime" and "the Real 'One Crime '": Rape, Lynching, and Mimicry in Sutton E.Griggs's The Hindered Hand 54 "A Thing Not to Be Faced": Rape as Robbery in Upton Sinclair's The Jungle 59 "Unconscious Penetration": Manners, Money, and the Primitive Man in Edith Wharton's The House of Mirth 64 "The Kind We Can't Resist": The Lesson of William Vaughn Moody's A Sabine Woman 68 CHAPTER THREE Rape and the Artifice of Representation: Four Modernist Modes 75 "Soiled! Despoiled! Handled! Mauled! Rumpled! Rummaged! Ransacked!": Styles and Hyperboles of Seduction, Rape, and Incest in Djuna Barnes's Ryder 77 "That Little Hot Ball inside You That Screams": Rape's Resistance to Representation, the Resistance to Rape, and the Transgression of Boundaries in William Faulkner's Sanctuary 86 "Not What One Did to Women": Enacting Projections and Constructing the Racial Border in Richard Wright's Native Son 103 Fighting "Forced Relationship": Rape and Manslaughter in Ann Petry's The Street 116 CHAPTER FOUR Voicing Sexual Violence, Repoliticizing Rape: Post-Modernist Narratives of Sexuality and Power 139 "Mankind's Greatest Crime, Man's Inhumanity to Man": Chester Himes's A Case ofRape 145 "Plain Black (Gender) Trouble": Intraracial Rape, Incest, and Other Family Feuds 150 "Phantom Men" and" Zipless Fucks": Rape Fantasies and the Fictions of Female Desire 159 "An Obscene Posture That No One Could Help": Sodomy, Male Anxiety, and the" Crisis of Homo/Heterosexual Definition" in James Dickey's Deliverance 171 AFTERWORD: Challenging Readings of Rape 179 Notes 191 Work Cited and Consulted 211 Primary Texts 211 Secondary Sources 213 Index 233
