Description

Book Synopsis

Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets and translators in the English language. In this book, Ruprecht explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson’s ambitious literary career. Where others see classical dichotomies (soul versus body, Classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the image of the Classics as merely bookish, and classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.



Table of Contents

Preface

Acknowledgments

Introduction: The Quest for a Genre, or, Where Boundaries Touch Then Blur

Chapter 1. Eros the Bittersweet, or, The Poetics of Desire

Chapter 2. Translation as Criticism, Creation and Conjuring, or, The Musing Scholar

Chapter 3. Poetry, Madness and Markets, or, The Ancients and the Moderns

Chapter 4. Hybrid Genres Between Body and Spirit, or, Righting the Self and Writing God

Conclusion: Dreaming in the Night

Epilogue: Six Questions and an Afterword

Appendix: The Works of Anne Carson

Reach without Grasping: Anne Carson's Classical

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Order before 4pm today for delivery by Wed 1 Apr 2026.

A Hardback by Louis A. Ruprecht, Jr.

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    View other formats and editions of Reach without Grasping: Anne Carson's Classical by Louis A. Ruprecht, Jr.

    Publisher: Lexington Books
    Publication Date: 17/11/2021
    ISBN13: 9781793637666, 978-1793637666
    ISBN10: 1793637660

    Description

    Book Synopsis

    Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets and translators in the English language. In this book, Ruprecht explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson’s ambitious literary career. Where others see classical dichotomies (soul versus body, Classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the image of the Classics as merely bookish, and classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.



    Table of Contents

    Preface

    Acknowledgments

    Introduction: The Quest for a Genre, or, Where Boundaries Touch Then Blur

    Chapter 1. Eros the Bittersweet, or, The Poetics of Desire

    Chapter 2. Translation as Criticism, Creation and Conjuring, or, The Musing Scholar

    Chapter 3. Poetry, Madness and Markets, or, The Ancients and the Moderns

    Chapter 4. Hybrid Genres Between Body and Spirit, or, Righting the Self and Writing God

    Conclusion: Dreaming in the Night

    Epilogue: Six Questions and an Afterword

    Appendix: The Works of Anne Carson

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