Description

Book Synopsis
Rasa is the most thorough treatment to date of this all-important concept at the heart of Javanese aesthetics. Rasa encompasses not only affect, mood, and intuition, but also theories of musical perception and cognition, as well as meaning and expression in music.

Table of Contents
Preface Technical Notes Chapter 1: The Musical Scene in Solo Chapter 2: The Taste of Music: Rasaning Gendhing Chapter 3: The Classification of Rasa Gendhing Chapter 4: Having Rasa, Part 1: Linguistic and Cultural Perspectives Chapter 5: Having Rasa, Part 2: Musicianship Chapter 6: The Communication of Rasa, Part 1: General Considerations of Expression and Perception Chapter 7: The Communication of Rasa, Part 2: Garap and Other Factors Contributing to Specific Rasas Chapter 8: Why Rasa Talk Matters Appendix A: Classifications of Rasa Gendhing from Oral and Written Sources Appendix B: How Iråmå Works Glossary Bibliography Dictionaries and Glossaries Corpus: Works Having Citations of Rasa Terms as Used by Javanese Experts in Music and Related Arts General Works Discography of Recordings Referred to in the Text Index

Rasa Affect and Intuition in Javanese Musical Aesthetics AMS Studies in Music

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    A Paperback by Marc Benamou

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      Book details

      Publisher Oxford University Press, USA
      Published 10 January 2016
      ISBN-13 9780190628451
      978-0190628451
      ISBN-10 0190628456
      Also in:
      Global or regional music styles Philosophy: aesthetics

      Description

      Book Synopsis
      Rasa is the most thorough treatment to date of this all-important concept at the heart of Javanese aesthetics. Rasa encompasses not only affect, mood, and intuition, but also theories of musical perception and cognition, as well as meaning and expression in music.

      Table of Contents
      Preface Technical Notes Chapter 1: The Musical Scene in Solo Chapter 2: The Taste of Music: Rasaning Gendhing Chapter 3: The Classification of Rasa Gendhing Chapter 4: Having Rasa, Part 1: Linguistic and Cultural Perspectives Chapter 5: Having Rasa, Part 2: Musicianship Chapter 6: The Communication of Rasa, Part 1: General Considerations of Expression and Perception Chapter 7: The Communication of Rasa, Part 2: Garap and Other Factors Contributing to Specific Rasas Chapter 8: Why Rasa Talk Matters Appendix A: Classifications of Rasa Gendhing from Oral and Written Sources Appendix B: How Iråmå Works Glossary Bibliography Dictionaries and Glossaries Corpus: Works Having Citations of Rasa Terms as Used by Javanese Experts in Music and Related Arts General Works Discography of Recordings Referred to in the Text Index

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