Description

Book Synopsis
This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

Table of Contents
Radio Art and Music: An Introduction

Jarmila Mildorf and Pim Verhulst

Chapter 1: The Making of a Nomenclature: José Iges on Radiophonic Art

Luz María Sánchez Cardona

Chapter 2: Maestro, If You Please: The Radio Producer as Musician

Jeremy Lakoff

Chapter 3: Norman Corwin, Bernard Herrmann, and Musical Direction for Columbia Presents Corwin

Reba A. Wissner

Chapter 4: “Attitudes toward History” and the Radiophonic Compositions of Daphne Oram and the Firesign Theatre

David McCarthy

Chapter 5: Between Art and Promotion: The Prix Italia, Its Historical Context and Aims in the First Fifty Years 1949-1998

Angela Ida De Benedictis

Chapter 6: A Canadian Experiment in Words-as-Music: Glenn Gould’s Invention of Form in his Radio Program The Idea of North

Elissa Guralnick

Chapter 7: Jewish Musical Material in a 1946 American Radio Drama: “Rachel”

Paula Eisenstein Baker and Robert S. Nelson

Chapter 8: The Bad Violin’s Good Politics: Music of Protest and Disavowal in The Jack Benny Program

Jade Conlee

Chapter 9: Shifting Hues of Blackface: Performance of Race in Radio Adaptations of Holiday Inn (1942)

Emily Lane

Chapter 10: Voicing the Other World: Music and the Victorian Occult in Midcentury American Radio Drama

Olivia Cacchione

Chapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze’s Radio Drama The Cicadas

Lucy Jeffrey

Chapter 12: Music and Politics in the BBC Radio Adaptation of Alan Bennett’s The Madness of George III

Jarmila Mildorf

Chapter 13: Adapting the Soundtrack of Revolution: Tom Stoppard’s Rock ’n’ Roll from Stage to Radio

Pim Verhulst

Chapter 14: Children’s Songs as Socio-Political Comment in the Greek Radio Show Edo Lilipoupoli

Aikaterini Giampoura

About the Contributors

Radio Art and Music

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A Hardback by Jarmila Mildorf, Pim Verhulst, Olivia Cacchione

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    View other formats and editions of Radio Art and Music by Jarmila Mildorf

    Publisher: Lexington Books
    Publication Date: 08/07/2020
    ISBN13: 9781498599795, 978-1498599795
    ISBN10: 1498599796

    Description

    Book Synopsis
    This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

    Table of Contents
    Radio Art and Music: An Introduction

    Jarmila Mildorf and Pim Verhulst

    Chapter 1: The Making of a Nomenclature: José Iges on Radiophonic Art

    Luz María Sánchez Cardona

    Chapter 2: Maestro, If You Please: The Radio Producer as Musician

    Jeremy Lakoff

    Chapter 3: Norman Corwin, Bernard Herrmann, and Musical Direction for Columbia Presents Corwin

    Reba A. Wissner

    Chapter 4: “Attitudes toward History” and the Radiophonic Compositions of Daphne Oram and the Firesign Theatre

    David McCarthy

    Chapter 5: Between Art and Promotion: The Prix Italia, Its Historical Context and Aims in the First Fifty Years 1949-1998

    Angela Ida De Benedictis

    Chapter 6: A Canadian Experiment in Words-as-Music: Glenn Gould’s Invention of Form in his Radio Program The Idea of North

    Elissa Guralnick

    Chapter 7: Jewish Musical Material in a 1946 American Radio Drama: “Rachel”

    Paula Eisenstein Baker and Robert S. Nelson

    Chapter 8: The Bad Violin’s Good Politics: Music of Protest and Disavowal in The Jack Benny Program

    Jade Conlee

    Chapter 9: Shifting Hues of Blackface: Performance of Race in Radio Adaptations of Holiday Inn (1942)

    Emily Lane

    Chapter 10: Voicing the Other World: Music and the Victorian Occult in Midcentury American Radio Drama

    Olivia Cacchione

    Chapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze’s Radio Drama The Cicadas

    Lucy Jeffrey

    Chapter 12: Music and Politics in the BBC Radio Adaptation of Alan Bennett’s The Madness of George III

    Jarmila Mildorf

    Chapter 13: Adapting the Soundtrack of Revolution: Tom Stoppard’s Rock ’n’ Roll from Stage to Radio

    Pim Verhulst

    Chapter 14: Children’s Songs as Socio-Political Comment in the Greek Radio Show Edo Lilipoupoli

    Aikaterini Giampoura

    About the Contributors

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