Description

Book Synopsis
This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

Table of Contents
Radio Art and Music: An Introduction

Jarmila Mildorf and Pim Verhulst

Chapter 1: The Making of a Nomenclature: José Iges on Radiophonic Art

Luz María Sánchez Cardona

Chapter 2: Maestro, If You Please: The Radio Producer as Musician

Jeremy Lakoff

Chapter 3: Norman Corwin, Bernard Herrmann, and Musical Direction for Columbia Presents Corwin

Reba A. Wissner

Chapter 4: “Attitudes toward History” and the Radiophonic Compositions of Daphne Oram and the Firesign Theatre

David McCarthy

Chapter 5: Between Art and Promotion: The Prix Italia, Its Historical Context and Aims in the First Fifty Years 1949-1998

Angela Ida De Benedictis

Chapter 6: A Canadian Experiment in Words-as-Music: Glenn Gould’s Invention of Form in his Radio Program The Idea of North

Elissa Guralnick

Chapter 7: Jewish Musical Material in a 1946 American Radio Drama: “Rachel”

Paula Eisenstein Baker and Robert S. Nelson

Chapter 8: The Bad Violin’s Good Politics: Music of Protest and Disavowal in The Jack Benny Program

Jade Conlee

Chapter 9: Shifting Hues of Blackface: Performance of Race in Radio Adaptations of Holiday Inn (1942)

Emily Lane

Chapter 10: Voicing the Other World: Music and the Victorian Occult in Midcentury American Radio Drama

Olivia Cacchione

Chapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze’s Radio Drama The Cicadas

Lucy Jeffrey

Chapter 12: Music and Politics in the BBC Radio Adaptation of Alan Bennett’s The Madness of George III

Jarmila Mildorf

Chapter 13: Adapting the Soundtrack of Revolution: Tom Stoppard’s Rock ’n’ Roll from Stage to Radio

Pim Verhulst

Chapter 14: Children’s Songs as Socio-Political Comment in the Greek Radio Show Edo Lilipoupoli

Aikaterini Giampoura

About the Contributors

Radio Art and Music

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    A Hardback by Jarmila Mildorf, Pim Verhulst, Olivia Cacchione

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      Publisher: Lexington Books
      Publication Date: 08/07/2020
      ISBN13: 9781498599795, 978-1498599795
      ISBN10: 1498599796

      Description

      Book Synopsis
      This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

      Table of Contents
      Radio Art and Music: An Introduction

      Jarmila Mildorf and Pim Verhulst

      Chapter 1: The Making of a Nomenclature: José Iges on Radiophonic Art

      Luz María Sánchez Cardona

      Chapter 2: Maestro, If You Please: The Radio Producer as Musician

      Jeremy Lakoff

      Chapter 3: Norman Corwin, Bernard Herrmann, and Musical Direction for Columbia Presents Corwin

      Reba A. Wissner

      Chapter 4: “Attitudes toward History” and the Radiophonic Compositions of Daphne Oram and the Firesign Theatre

      David McCarthy

      Chapter 5: Between Art and Promotion: The Prix Italia, Its Historical Context and Aims in the First Fifty Years 1949-1998

      Angela Ida De Benedictis

      Chapter 6: A Canadian Experiment in Words-as-Music: Glenn Gould’s Invention of Form in his Radio Program The Idea of North

      Elissa Guralnick

      Chapter 7: Jewish Musical Material in a 1946 American Radio Drama: “Rachel”

      Paula Eisenstein Baker and Robert S. Nelson

      Chapter 8: The Bad Violin’s Good Politics: Music of Protest and Disavowal in The Jack Benny Program

      Jade Conlee

      Chapter 9: Shifting Hues of Blackface: Performance of Race in Radio Adaptations of Holiday Inn (1942)

      Emily Lane

      Chapter 10: Voicing the Other World: Music and the Victorian Occult in Midcentury American Radio Drama

      Olivia Cacchione

      Chapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze’s Radio Drama The Cicadas

      Lucy Jeffrey

      Chapter 12: Music and Politics in the BBC Radio Adaptation of Alan Bennett’s The Madness of George III

      Jarmila Mildorf

      Chapter 13: Adapting the Soundtrack of Revolution: Tom Stoppard’s Rock ’n’ Roll from Stage to Radio

      Pim Verhulst

      Chapter 14: Children’s Songs as Socio-Political Comment in the Greek Radio Show Edo Lilipoupoli

      Aikaterini Giampoura

      About the Contributors

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