Description

“It’s all here: the grade school Walt Disney and Dr. Seuss; the adolescent acid trips; the fondness for Post-it notes and flying saucers; the long tails of Dubuffet and Burroughs; the encounters with Madonna, Warhol, and one game-changer of a subway Johnny Walker Red poster. Brad Gooch takes us deep into Keith Haring’s imagination while somehow managing to fix the aura and energy of the 1980s New York art scene to the page. A keen-eyed, beautifully written biography, atmospheric, exuberant, and as radiant as they come.”—Stacy Schiff, Pulitzer Prize winning author of The Revolutionary: Sam Adams

A stunning life of the iconic American artist, Keith Haring, by the acclaimed biographer Brad Gooch.

In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on thes

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Hardback by Brad Gooch

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Short Description:

“It’s all here: the grade school Walt Disney and Dr. Seuss; the adolescent acid trips; the fondness for Post-it notes and... Read more

    Publisher: HarperCollins Publishers Inc
    Publication Date: 1/28/2024
    ISBN13: 9780062698261, 978-0062698261
    ISBN10: 0062698265

    Non Fiction , Art & Photography

    Description

    “It’s all here: the grade school Walt Disney and Dr. Seuss; the adolescent acid trips; the fondness for Post-it notes and flying saucers; the long tails of Dubuffet and Burroughs; the encounters with Madonna, Warhol, and one game-changer of a subway Johnny Walker Red poster. Brad Gooch takes us deep into Keith Haring’s imagination while somehow managing to fix the aura and energy of the 1980s New York art scene to the page. A keen-eyed, beautifully written biography, atmospheric, exuberant, and as radiant as they come.”—Stacy Schiff, Pulitzer Prize winning author of The Revolutionary: Sam Adams

    A stunning life of the iconic American artist, Keith Haring, by the acclaimed biographer Brad Gooch.

    In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on thes

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