Description
Book SynopsisAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Ranging across novels and poetry, critical theory and film, comics and speeches, Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds explores how writers, thinkers, and filmmakers have answered the following question: are nuclear weapons ‘white’? Many texts respond in the affirmative, and arraign nuclear weapons for defending a racial order that privileges whiteness. They are seen as a reminder that the power enjoyed by the white western world imperils the whole of the Earth. Furthermore, the struggle to survive during and after a speculated nuclear attack is often cast as a contest between races and ethnic groups. Race, Ethnicity and Nuclear War listens to voices from around the Anglophone world and the debates followed do not only take place on the soil of the nuclear powers. Filmmakers and writers from the Caribbean, Australia, and India take up positions shaped by their specific place in the decolonizing world and their particular experience of nuclear weapons. The texts considered in Race, Ethnicity and Nuclear War encompass the many guises of representations of nuclear weapons: the Manhattan Project that developed the first atomic weapons, the destruction of Hiroshima and Nagasaki, nuclear tests taking place around the world, and the anxiety surrounding the superpowers’ devastating arsenals. Of particular interest to SF scholars are the extensive analyses of films, novels, and short stories depicting nuclear war and its aftermath. New thoughts are offered on the major texts that SF scholars often return to, such as Philip Wylie’s Tomorrow! and Pat Frank’s Alas Babylon, and a host of little known and under-researched texts are scrutinized too.
Trade ReviewA good book, addressing itself to a neglected area of an important topic. Williams draws on an impressively broad and diverse range of nuclear texts for his study and has some intelligent observations to make. His readings of literary and filmic texts are detailed and enlightening.
Daniel CordleTable of Contents
- Acknowledgments
- Introduction
- 1. Race, War and Apocalypse before 1945
- 2. Inverted Frontiers
- 3. Soft Places and Mad Max Beyond Thunderdome
- 4. Fear of a Black Planet
- 5. White Rain and the Black Atlantic
- 6. Race and the Manhattan Project
- 7. 'The Hindu Bomb': Nuclear Nationalism in The Last Jet-Engine Laugh
- 8. Third World Wars and Third-World Wars
- Bibliography
- Index
