Description

Book Synopsis

This book reinterprets Wifredo Lamâs work with particular attention to its political implications, focusing on how these implications emerge from the artistâs critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.



Table of Contents

Introduction; Chapter I: Picasso; Chapter II: Surrealism;Chapter III: Abstract Expressionism; Chapter IV: The Lévy-Bruhl/Lévi-Strauss Debate; Chapter V: Detotalization, Retotalization, and Atemporality; Chapter VI: Négritude; Chapter VII: Cuba

Race Anthropology and Politics in the Work of

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    A Hardback by Claude Cernuschi

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      View other formats and editions of Race Anthropology and Politics in the Work of by Claude Cernuschi

      Publisher: Taylor & Francis Inc
      Publication Date: Publication Date: 17/06/2019
      ISBN13: 9780815393740, 978-0815393740
      ISBN10: 0815393741
      Also in:
      The arts: general topics Political campaigning and advertising Social and cultural anthropology

      Description

      Book Synopsis

      This book reinterprets Wifredo Lamâs work with particular attention to its political implications, focusing on how these implications emerge from the artistâs critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.



      Table of Contents

      Introduction; Chapter I: Picasso; Chapter II: Surrealism;Chapter III: Abstract Expressionism; Chapter IV: The Lévy-Bruhl/Lévi-Strauss Debate; Chapter V: Detotalization, Retotalization, and Atemporality; Chapter VI: Négritude; Chapter VII: Cuba

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