Description

Book Synopsis

Race and Gender in the Western Music History Survey: A Teacherâs Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover

Table of Contents

List of Scores

List of Figures

Acknowledgements

Introduction

  1. Western Classical Music until 1600
  2. Introduction

    Vittoria Aleotti, "Hor che la vaga Aurora"

    The Cantigas de Santa Maria and the Arabic Influence on Western Art Music

    Bibliography

    Score/Recording

    Selected Secondary Sources

  3. Music Between 1600 and 1750
  4. Introduction

    Manuel de Sumaya, Miserere

    The Network of Women around J.S. Bach

    Bibliography

    Score/Recording

    Selected Secondary Sources

  5. Music Between 1750 and 1815
  6. Introduction

    Marianna Martines, Sonata in E Major

    Sonata in E-Flat Major, H. XVI: 52 by Joseph Haydn: A Study in Private and Public/Masculine and Feminine

    Bibliography

    Score/Recording

    Selected Secondary Sources

  7. Music Between 1815 and 1915
  8. Introduction

    Harry T. Burleigh, "Through Moanin’ Pines," in From the Southland

    African American Critical Response to Antonin Dvořák and the Problem of American Music

    Bibliography

    Score/Recording

    Selected Secondary Sources

  9. Music after 1915

Introduction

Chou Wen-Chung, Suite for Harp and Wind Quintet

American Nationalism: Florence Price in Counterpoint with Aaron Copland

Bibliography

Score/Recording

Selected Secondary Sources

Index

Race and Gender in the Western Music History

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    A Paperback by Jr. Horace J. Maxile, Kristen M. Turner

    15 in stock

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      Publisher: Taylor & Francis
      Publication Date: 1/29/2024 12:00:00 AM
      ISBN13: 9781032313115, 978-1032313115
      ISBN10: 1032313110
      Also in:
      Popular music

      Description

      Book Synopsis

      Race and Gender in the Western Music History Survey: A Teacherâs Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover

      Table of Contents

      List of Scores

      List of Figures

      Acknowledgements

      Introduction

      1. Western Classical Music until 1600
      2. Introduction

        Vittoria Aleotti, "Hor che la vaga Aurora"

        The Cantigas de Santa Maria and the Arabic Influence on Western Art Music

        Bibliography

        Score/Recording

        Selected Secondary Sources

      3. Music Between 1600 and 1750
      4. Introduction

        Manuel de Sumaya, Miserere

        The Network of Women around J.S. Bach

        Bibliography

        Score/Recording

        Selected Secondary Sources

      5. Music Between 1750 and 1815
      6. Introduction

        Marianna Martines, Sonata in E Major

        Sonata in E-Flat Major, H. XVI: 52 by Joseph Haydn: A Study in Private and Public/Masculine and Feminine

        Bibliography

        Score/Recording

        Selected Secondary Sources

      7. Music Between 1815 and 1915
      8. Introduction

        Harry T. Burleigh, "Through Moanin’ Pines," in From the Southland

        African American Critical Response to Antonin Dvořák and the Problem of American Music

        Bibliography

        Score/Recording

        Selected Secondary Sources

      9. Music after 1915

      Introduction

      Chou Wen-Chung, Suite for Harp and Wind Quintet

      American Nationalism: Florence Price in Counterpoint with Aaron Copland

      Bibliography

      Score/Recording

      Selected Secondary Sources

      Index

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