Description

Book Synopsis

Murray Schafer is one of Canada’s few composers to have achieved an international reputation. His innovative and often controversial work extends beyond music into the areas of education, literary scholarship, journalism, theatre, and graphics, as well as a new field of his own making—environmental sound research. This comprehensive critical survey of his life and works reveals the unifying pattern within an amazingly productive and varied career.

Adams examines Schafer’s extensive writings, which form the intellectual context of his music. Though Schafer is both avant-gardist and self-confessed romantic, his writings solve this apparent paradox and show, as well, the central position of the ‘soundscape’ in his thought. Adam traces the development of Schafer’s music from his early works in a mild neo-classical vein to his experimentation with various modernist procedures—serialism, electronic sound, stereophony, graphic notation

R. Murray Schafer

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    A Paperback / softback by Stephen Adams

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      Book details

      Publisher University of Toronto Press
      Published 15 December 1983
      ISBN-13 9781442651326
      978-1442651326
      ISBN-10 1442651326
      Also in:
      Biography: arts and entertainment Musicians, singers, bands and groups

      Description

      Book Synopsis

      Murray Schafer is one of Canada’s few composers to have achieved an international reputation. His innovative and often controversial work extends beyond music into the areas of education, literary scholarship, journalism, theatre, and graphics, as well as a new field of his own making—environmental sound research. This comprehensive critical survey of his life and works reveals the unifying pattern within an amazingly productive and varied career.

      Adams examines Schafer’s extensive writings, which form the intellectual context of his music. Though Schafer is both avant-gardist and self-confessed romantic, his writings solve this apparent paradox and show, as well, the central position of the ‘soundscape’ in his thought. Adam traces the development of Schafer’s music from his early works in a mild neo-classical vein to his experimentation with various modernist procedures—serialism, electronic sound, stereophony, graphic notation

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