Description

Book Synopsis
Through provisional, idiosyncratic, and non-normative listening practices, Queer Ear: Remaking Music Theory counters music theory''s continuing tendencies towards rationality, unity, unilinearity, teleology, and logical certainty. In this volume, editor Gavin S.K. Lee brings together a diverse group of music theorists who issue queer challenges to both music theory and musicology and show that queerness is integral to music-theoretical practice. These investigations of the queer ear and queer soundings, while drawing upon a broad range of approaches, are united by the repurposing of hard music-theoretical apparatuses, as well as soft apparatuses like narratology and cultural theory, for queer ends. Such repurposings contribute to the search for general principles--or a theory--of queering that counters mainstream music theory''s proclivities, instead encouraging everyone to experiment with queer ways of listening.Through the lenses of queer temporality, queer narratology, and queer music analysis, the essays examine a wide variety of artists and composers, including Sun Ra, Cowell, Czernowin, Henze, Schubert, and Schumann; theories ranging from Schenker to queer shame, disability studies, and posthumanism; and authors such as Edward Cone and Edward Prime-Stevenson. Together, they rethink the field''s major tenets, examine hidden histories, and view listening practices from the perspective of non-normative subjectivities. Ultimately, Queer Ear works to queer the field of music theory while paying heed to the ways in which music theory intersects with diverse, embodied LGBTQ lives.

Trade Review
The first monograph on queer music theory, and a much-needed contribution to the field. The essays in Queer Ear challenge us to recognize the importance of gender, sexuality, and race in analysis, while breaking down the traditional divide between music theory and musicology. * Patricia Hall, Professor of Music, University of Michigan *

Table of Contents
Introduction: Queer Ear Gavin S.k. Lee 1 Queer and Critical Race Theory, Figuring Out Music Theory Gavin S.K. Lee, Philip Ewell, and Robert Hatten Queer Music Analysis 2 Music Analysis; Queer Academy James Currie 3 Queering Schubert's "Der Atlas": Reflections on Positionality and Close Reading David Bretherton 4 The Expression of Queerness in Hans Werner Henze's Music Federica Marsico 5 Multiplicities, Truth, Ethics: a queering analysis of Chaya Czernowin's Anea Crystal Judith Lochhead Queer Temporality 6 Sun Ra's Fletcher Henderson Chris Stover 7 The Chronographic Fallacy of Unilinear Music Theory, Or, Un(Re)productive Temporality in Dichterliebe Gavin S.K. Lee 8 Queering Musical Chrononormativity: Percussion Works of the West Coast Group Bill Solomon Queer Narratology 9 Queer Sexuality and Musical Narrative Fred Everett Maus 10 "Legendary In-Reading": Musical Meaning, Analysis, and Biography in Edward Prime-Stevenson's Music Criticism and Sexology Kristin Franseen 11 Animating Musical Agency Vivian Luong Index

Queer Ear

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A Paperback / softback by Gavin S.K. Lee

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    View other formats and editions of Queer Ear by Gavin S.K. Lee

    Publisher: Oxford University Press Inc
    Publication Date: 14/12/2023
    ISBN13: 9780197536773, 978-0197536773
    ISBN10: 0197536778

    Description

    Book Synopsis
    Through provisional, idiosyncratic, and non-normative listening practices, Queer Ear: Remaking Music Theory counters music theory''s continuing tendencies towards rationality, unity, unilinearity, teleology, and logical certainty. In this volume, editor Gavin S.K. Lee brings together a diverse group of music theorists who issue queer challenges to both music theory and musicology and show that queerness is integral to music-theoretical practice. These investigations of the queer ear and queer soundings, while drawing upon a broad range of approaches, are united by the repurposing of hard music-theoretical apparatuses, as well as soft apparatuses like narratology and cultural theory, for queer ends. Such repurposings contribute to the search for general principles--or a theory--of queering that counters mainstream music theory''s proclivities, instead encouraging everyone to experiment with queer ways of listening.Through the lenses of queer temporality, queer narratology, and queer music analysis, the essays examine a wide variety of artists and composers, including Sun Ra, Cowell, Czernowin, Henze, Schubert, and Schumann; theories ranging from Schenker to queer shame, disability studies, and posthumanism; and authors such as Edward Cone and Edward Prime-Stevenson. Together, they rethink the field''s major tenets, examine hidden histories, and view listening practices from the perspective of non-normative subjectivities. Ultimately, Queer Ear works to queer the field of music theory while paying heed to the ways in which music theory intersects with diverse, embodied LGBTQ lives.

    Trade Review
    The first monograph on queer music theory, and a much-needed contribution to the field. The essays in Queer Ear challenge us to recognize the importance of gender, sexuality, and race in analysis, while breaking down the traditional divide between music theory and musicology. * Patricia Hall, Professor of Music, University of Michigan *

    Table of Contents
    Introduction: Queer Ear Gavin S.k. Lee 1 Queer and Critical Race Theory, Figuring Out Music Theory Gavin S.K. Lee, Philip Ewell, and Robert Hatten Queer Music Analysis 2 Music Analysis; Queer Academy James Currie 3 Queering Schubert's "Der Atlas": Reflections on Positionality and Close Reading David Bretherton 4 The Expression of Queerness in Hans Werner Henze's Music Federica Marsico 5 Multiplicities, Truth, Ethics: a queering analysis of Chaya Czernowin's Anea Crystal Judith Lochhead Queer Temporality 6 Sun Ra's Fletcher Henderson Chris Stover 7 The Chronographic Fallacy of Unilinear Music Theory, Or, Un(Re)productive Temporality in Dichterliebe Gavin S.K. Lee 8 Queering Musical Chrononormativity: Percussion Works of the West Coast Group Bill Solomon Queer Narratology 9 Queer Sexuality and Musical Narrative Fred Everett Maus 10 "Legendary In-Reading": Musical Meaning, Analysis, and Biography in Edward Prime-Stevenson's Music Criticism and Sexology Kristin Franseen 11 Animating Musical Agency Vivian Luong Index

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