Description
Book SynopsisA study of the performance of queenship by two Tudor monarchs, showing the strategies they used to assert their power.Catherine of Aragon (r.1509-33) and her sister-in-law Margaret Tudor (r.1503-13) presided as queens over the glittering sixteenth-century courts of England and Scotland, alongside their husbands Henry VIII of England and James IV of Scotland. Although we know a great deal about these two formidable sixteenth-century kings, we understand very little about how their two queens contributed to their reigns. How did these young, foreign women become effective and trusted consorts, and powerful political figures in their own right? This book argues that Catherine and Margaret's performance of queenship combined medieval queenly virtues with the new opportunities for influence and power offered by Renaissance court culture. Royal rituals such as childbirth and the Royal Maundy, courtly spectacles such as tournaments, banquets and diplomatic summits, or practices such as arranged marriages and gift-giving, were all moments when Catherine and Margaret could assert their honour, status and identity as queens. Their husbands' support for their activities at court helped bring them the influence and patronage necessary to pursue their own political goals and obtain favour and rewards for their servants and followers. Situating Catherine and Margaret's careers within the history of the royal courts of England and Scotland and amongst their queenly peers, this book reveals these two queens as intimately connected agents of political influence and dynastic power. MICHELLE BEER is an independent researcher working in Oakland, California.
Trade ReviewThis monograph is a very strong piece of scholarship; it is well constructed and clearly written and is highly recommended for both scholars and students. Beer . . . offers innovative discussions about public piety, the queen's role as hostess, and the use not only of material culture but also of material itself, for the projection of queenly authority. * RENAISSANCE QUARTERLY *
[A]n invaluable resource for advanced students and researchers assessing the early modern court or the gendered exercise of power in Renaissance culture. * RENAISSANCE AND REFORMATION/RENAISSANCE ET RÉFORME *
Building on considerable research, Michelle Beer offers convincing conclusions about the queenly image and authority of two sixteenth-century consorts. -- Emily Chambers * Journal of British Studies *
Table of ContentsIntroduction Elizabeth of York Material magnificence, royal identity and the queen's body The social queen Patronage in partnership Queenship and pre-Reformation piety Conclusion Bibliography Index
