Description
Book SynopsisPopular associations with chemistry range from poisons, hazards, chemical warfare and environmental pollution to alchemical pseudoscience, sorcery and mad scientists, which gravely affect the public image of science in general. While chemists have merely complained about their public image, social and cultural studies of science have largely avoided anything related to chemistry.This book provides, for the first time, an in-depth understanding of the cultural and historical contexts in which the public image of chemistry has emerged. It argues that this image has been shaped through recurring and unlucky interactions between chemists in popularizing their discipline and nonchemists in expressing their expectations and fears of science. Written by leading scholars from the humanities, social sciences and chemistry in North America, Europe and Australia, this volume explores a blind spot in the science-society relationship and calls for a constructive dialog between scientists and their public.
Table of ContentsPopular Images in Fiction and Movies: The Alchemists in Fiction; Historical Roots of the Mad Scientists; Chemists and their Craft in Fiction Film; Chemistry and Power in Recent American Fiction; Self-images in Chemistry Popularizations: Popularizing Chemistry; Liebig or How to Popularize Chemistry; From Chemistry for the People to the Wonders of Technology; Bringing Science to the Public; The Visual Image of Chemistry; Mediated Images: Taking Science to the Marketplace; The Image of Chemistry Presented by the Science Museum, London in the 20th Century; On the Self-image of Chemists, 1950-2000.
