Description

Book Synopsis
Appealing to film buffs, students, and academics, Psychology at the Movies provides a concise, interdisciplinary overview of the psychology of film. This book explores how psychologists have interpreted movies as well as how psychology specifically psychotherapy and psychopathology have been portrayed in film.

Trade Review

“From the beginning of the text, Psychology at the Movies draws the reader in and provides a clear direction and foundation to be built upon through the remainder of the text. Young’s ability to do so, not only allows this text to be read and applied in various fields, but also could be used in any level of study. From the movie buff who seeks to learn about their past time to psychology and other social science students, this text offers a balanced amount of both breadth and depth.” (The Journal of Popular Culture, 29 August 2013)

“In sum, Psychology at the Movies offers the basis for a useful survey course in film and psychology, packaged in an engaging format. As Young asserts, “Once you start looking for it, you can’t escape psychology in the movies” (p. 6). And he adds, “Sometimes . . . a movie stays with us, and we reflect on it—for an hour, a week, a year or a lifetime” (p. 114). With the increasing prevalence of massive open online courses (MOOCS), Young’s seminar has potential to interest a very wide audience.” (PsycCRITIQUES, 6 February 2013)





Table of Contents
List of Illustrations and Figures xi

Acknowledgments xiii

1. Introduction—The Many Sides of Psychology and the Many Faces of the Movies 3

Goals of Psychology at the Movies 6

Story, Entertainment and Art in the Movies 9

A Liberal Use of Psychology 10

A Symbolic Framework for the Psychology of Film 12

Organization of Psychology at the Movies 14

Further Reading 16

2. The Search for Meaning—Psychological Interpretations in the Movies 19

Human Behavior in the Movies 21

Unconscious Conflict in the Movies 24

Archetypes in the Movies 28

Ideology in the Movies 30

Spectators in the Movies 33

Closing Shots: The Boons and Banes of Interpretation 37

Further Reading 39

3. Psychopathology, Psychotherapy and Psycho—Psychologists and Their Patients in the Movies 43

Representations of Psychological Disorders 44

Representations of Psychologists and Psychological Treatment 49

Closing Shots: The Impact of Representations of Psychology 55

Further Reading 60

4. Crazy Genius—The Psychology of Filmmakers 63

Psychobiography and Filmmakers 64

Auteurs: Profiles of Directors 65

Star-Gazing: Profiles of Actors 69

Psychology for Filmmakers: The Case ofWoody Allen 73

Closing Shots: Evaluating Psychobiography 76

Further Reading 77

5. Picturing the Audience—Psychological Profiles of Moviegoers 81

Movie Audiences through the Years 83

The Movies PeopleWatch 85

The Movies People Like 88

Closing Shots: The Viewers behind the Numbers 91

Further Reading 91

6. The Cinematic Moment—Emotions and the Comprehension of Movies 95

Cognitive Psychology and the Movies 96

The Perception of Movies 97

The Narrative Comprehension of Movies 99

The Emotional Comprehension of Movies 101

Brain Functioning and the Movies 107

Closing Shots: An Unlikely Partnership 109

Further Reading 110

7. Reflecting on the Screen—The Reception of Movies 113

Viewer Enjoyment of Movies 115

Viewer Interpretations of Movies 120

Closing Shots: The Challenges of Audience Response 126

Further Reading 127

8. The Movies Made Me Do It—The Effects of Film 131

Effects on Behavior 133

Effects on Thoughts and Emotions 139

Propaganda and Effects on Culture 143

Closing Shots: The Great Debate over Media Effects 145

Further Reading 149

9. Movies as Equipment for Living—The Functions of Film 153

Professional Functions of Movies 155

General Functions of Movies in Everyday Life 159

Personal Functions of Movies in Everyday Life 161

Closing Shots: Seeing Movies from a Different Angle 168

Further Reading 169

10. Conclusion—Putting the Pieces Together 173

An Appeal for Interdisciplinarity 177

Movies as Art 179

Appendix A: Mental Health Professionals in Top Box Office Grossing Movies, 1990–1999 181

Appendix B: Three Top 50 Lists of Acclaimed Movies 183

Appendix C: Emotionally Arousing Movie Scenes 187

Appendix D: Therapeutic Movies 189

Endnotes 191

Bibliography 219

Filmography 239

Index 249

Psychology at the Movies

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    £999.99

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    A Paperback / softback by Skip Dine Young

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 16/03/2012
      ISBN13: 9780470971772, 978-0470971772
      ISBN10: 0470971770

      Description

      Book Synopsis
      Appealing to film buffs, students, and academics, Psychology at the Movies provides a concise, interdisciplinary overview of the psychology of film. This book explores how psychologists have interpreted movies as well as how psychology specifically psychotherapy and psychopathology have been portrayed in film.

      Trade Review

      “From the beginning of the text, Psychology at the Movies draws the reader in and provides a clear direction and foundation to be built upon through the remainder of the text. Young’s ability to do so, not only allows this text to be read and applied in various fields, but also could be used in any level of study. From the movie buff who seeks to learn about their past time to psychology and other social science students, this text offers a balanced amount of both breadth and depth.” (The Journal of Popular Culture, 29 August 2013)

      “In sum, Psychology at the Movies offers the basis for a useful survey course in film and psychology, packaged in an engaging format. As Young asserts, “Once you start looking for it, you can’t escape psychology in the movies” (p. 6). And he adds, “Sometimes . . . a movie stays with us, and we reflect on it—for an hour, a week, a year or a lifetime” (p. 114). With the increasing prevalence of massive open online courses (MOOCS), Young’s seminar has potential to interest a very wide audience.” (PsycCRITIQUES, 6 February 2013)





      Table of Contents
      List of Illustrations and Figures xi

      Acknowledgments xiii

      1. Introduction—The Many Sides of Psychology and the Many Faces of the Movies 3

      Goals of Psychology at the Movies 6

      Story, Entertainment and Art in the Movies 9

      A Liberal Use of Psychology 10

      A Symbolic Framework for the Psychology of Film 12

      Organization of Psychology at the Movies 14

      Further Reading 16

      2. The Search for Meaning—Psychological Interpretations in the Movies 19

      Human Behavior in the Movies 21

      Unconscious Conflict in the Movies 24

      Archetypes in the Movies 28

      Ideology in the Movies 30

      Spectators in the Movies 33

      Closing Shots: The Boons and Banes of Interpretation 37

      Further Reading 39

      3. Psychopathology, Psychotherapy and Psycho—Psychologists and Their Patients in the Movies 43

      Representations of Psychological Disorders 44

      Representations of Psychologists and Psychological Treatment 49

      Closing Shots: The Impact of Representations of Psychology 55

      Further Reading 60

      4. Crazy Genius—The Psychology of Filmmakers 63

      Psychobiography and Filmmakers 64

      Auteurs: Profiles of Directors 65

      Star-Gazing: Profiles of Actors 69

      Psychology for Filmmakers: The Case ofWoody Allen 73

      Closing Shots: Evaluating Psychobiography 76

      Further Reading 77

      5. Picturing the Audience—Psychological Profiles of Moviegoers 81

      Movie Audiences through the Years 83

      The Movies PeopleWatch 85

      The Movies People Like 88

      Closing Shots: The Viewers behind the Numbers 91

      Further Reading 91

      6. The Cinematic Moment—Emotions and the Comprehension of Movies 95

      Cognitive Psychology and the Movies 96

      The Perception of Movies 97

      The Narrative Comprehension of Movies 99

      The Emotional Comprehension of Movies 101

      Brain Functioning and the Movies 107

      Closing Shots: An Unlikely Partnership 109

      Further Reading 110

      7. Reflecting on the Screen—The Reception of Movies 113

      Viewer Enjoyment of Movies 115

      Viewer Interpretations of Movies 120

      Closing Shots: The Challenges of Audience Response 126

      Further Reading 127

      8. The Movies Made Me Do It—The Effects of Film 131

      Effects on Behavior 133

      Effects on Thoughts and Emotions 139

      Propaganda and Effects on Culture 143

      Closing Shots: The Great Debate over Media Effects 145

      Further Reading 149

      9. Movies as Equipment for Living—The Functions of Film 153

      Professional Functions of Movies 155

      General Functions of Movies in Everyday Life 159

      Personal Functions of Movies in Everyday Life 161

      Closing Shots: Seeing Movies from a Different Angle 168

      Further Reading 169

      10. Conclusion—Putting the Pieces Together 173

      An Appeal for Interdisciplinarity 177

      Movies as Art 179

      Appendix A: Mental Health Professionals in Top Box Office Grossing Movies, 1990–1999 181

      Appendix B: Three Top 50 Lists of Acclaimed Movies 183

      Appendix C: Emotionally Arousing Movie Scenes 187

      Appendix D: Therapeutic Movies 189

      Endnotes 191

      Bibliography 219

      Filmography 239

      Index 249

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