Description
Book SynopsisIn this compact volume readers just beginning Proust's master work and those who are already enriched by it will become aware of a significance not unkown but only forgotten--the basic structure of Proust's enormous novel. The overall meaning of Proust's book lies in his three ways of looking at the world--cinematographic, montage, and stereoscopic--and their varying effects on the emotions and the intellect.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Table of Contents*FrontMatter, pg. i*CONTENTS, pg. v*I. Proust's optical figures, pg. 1*II. Single and multiple images; misapprehension and recognition, pg. 21*III. Stereo-optics of time: simultaneous images, pg. 40*IV. Proust's comic bent; the role of "law" and intelligence, pg. 84*V. Proust's style; central metaphor of the deux cotes, pg. 122*NOTES, pg. 140
