Description
Book SynopsisSounds can be harmonic, number sequences too - a coincidence?This book deals with a musical theory of proportions, i.e. the ancient doctrine of proportions as the oldest and most important common anchorage of the two cultural sciences mathematics and music. The musical theory of tones, intervals, tetrachords, sounds and scales is in fact the exact musical image of the laws of arithmetic and its symmetries in the set of rules of playing with numbers, their proportions and their medievals. Alone the miracle of the so-called Harmonia perfecta maxima 6 - 8 - 9 - 12, whose proportions determine the fifth as well as the fourth, form the octave and have the brazen whole tone in their center, shaped the musical edifice of Pythagorean music for thousands of years. This elementary chain of proportions 6 : 8 : 9 : 12 is, moreover, completely symmetrical and built up from the arithmetic as well as from the harmonic medieta of the octave numbers 6 and 12. This book develops the theory of propor
