Description

Jose Clemente Orozco's 1930 mural, Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism. This thoughtful exhibition catalogue examines the multiple ways Orozco's vision resonates with four artists working in Mexico today. Isa Carrillo, Adela Goldbard, Rita Ponce de Leo n, and Naomi Rinco n-Gallardo share Orozco's interest in history, justice, social protest, storytelling, and power, yet approach these topics from their own twenty-first- century sensibilities. These artists activate Orozco's mural by reinvigorating Prometheus for a contemporary audience.This gorgeous volume presents substantial new scholarship connecting Mexican muralism with contemporary art practices. Three new essays address different aspects of Orozco, Prometheus, and the connections between Los Angeles and Mexico. The contributors take on a broad range of topics, from murals as public art to how Orozco's work fits into contemporary frameworks of aesthetic theory. The book also includes a chronology, vibrant reproductions, and critical essays focused on the contemporary artists.

Prometheus 2017 - Four Artists from Mexico Revisit Orozco

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Hardback by Rebecca McGrew

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Jose Clemente Orozco's 1930 mural, Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism.... Read more

    Publisher: Getty Trust Publications
    Publication Date: 26/09/2017
    ISBN13: 9781606065440, 978-1606065440
    ISBN10: 1606065440

    Number of Pages: 244

    Non Fiction , Art & Photography

    Description

    Jose Clemente Orozco's 1930 mural, Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism. This thoughtful exhibition catalogue examines the multiple ways Orozco's vision resonates with four artists working in Mexico today. Isa Carrillo, Adela Goldbard, Rita Ponce de Leo n, and Naomi Rinco n-Gallardo share Orozco's interest in history, justice, social protest, storytelling, and power, yet approach these topics from their own twenty-first- century sensibilities. These artists activate Orozco's mural by reinvigorating Prometheus for a contemporary audience.This gorgeous volume presents substantial new scholarship connecting Mexican muralism with contemporary art practices. Three new essays address different aspects of Orozco, Prometheus, and the connections between Los Angeles and Mexico. The contributors take on a broad range of topics, from murals as public art to how Orozco's work fits into contemporary frameworks of aesthetic theory. The book also includes a chronology, vibrant reproductions, and critical essays focused on the contemporary artists.

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