Description

A thrilling photographic adventure around an offbeat selection of the world's abandoned buildings, captured by one of the videogame industry's most beloved creatives. Urban exploration is a way of life for those who choose it as their passion. The secrets and mysteries that disused places incite can be intoxicating and inspiring. As Nakamura has said herself, I love breaking boundaries and making people say WOW. As artists, we use our imagination to see the INVISIBLE. Project UrbEx documents a multitude of abandoned spaces, placing them into thematic sections from lost hotels and ex-military sites to factories, laboratories and hospitals. A bright Pantone orange ink is used throughout for the text and chapter openers popping on the page to reflect Nakamura's sense of fun, vibrance and imagination. With a foreword by videogame-designer-turned-photographer Liam Wong, the book also features sections of Nakamura's personal travel diary, printed on pages with a narrower width,

Project UrbEx

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£36.00

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Hardback by Ikumi Nakamura

1 in stock

Description:

A thrilling photographic adventure around an offbeat selection of the world's abandoned buildings, captured by one of the videogame industry's... Read more

    Publisher: Thames & Hudson Ltd
    Publication Date: 1/7/2024
    ISBN13: 9780500026946, 978-0500026946
    ISBN10: 0500026947

    Non Fiction , Politics, Philosophy & Society

    Description

    A thrilling photographic adventure around an offbeat selection of the world's abandoned buildings, captured by one of the videogame industry's most beloved creatives. Urban exploration is a way of life for those who choose it as their passion. The secrets and mysteries that disused places incite can be intoxicating and inspiring. As Nakamura has said herself, I love breaking boundaries and making people say WOW. As artists, we use our imagination to see the INVISIBLE. Project UrbEx documents a multitude of abandoned spaces, placing them into thematic sections from lost hotels and ex-military sites to factories, laboratories and hospitals. A bright Pantone orange ink is used throughout for the text and chapter openers popping on the page to reflect Nakamura's sense of fun, vibrance and imagination. With a foreword by videogame-designer-turned-photographer Liam Wong, the book also features sections of Nakamura's personal travel diary, printed on pages with a narrower width,

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