Description

Book Synopsis

Gerald Eades Bentley assembles and analyzes the extant theatrical materials of the sixteenth and seventeenth centuries. His discussion of the working conditions of professional dramatists like Thomas Heywood, John Fletcher, and Philip Massinger as well as William Shakespeare rounds out the fascinating picture of the professionalism that developed i



Table of Contents
*Frontmatter, pg. i*Preface, pg. vii*Contents, pg. xi*I. Introduction, pg. 1*II. Amateur Dramatists and Professional Dramatists, pg. 11*III. The Status of Dramatists, Plays, Actors, and Theatres, pg. 38*IV. The Dramatist and the Acting Company, pg. 62*V. Dramatists' Pay, pg. 88*VI. Dramatists' Contractual Obligations, pg. 111*VII. Regulation and Censorship, pg. 145*VIII. Collaboration, pg. 197*IX. Revision, pg. 235*X. Publication, pg. 264*Index, pg. 293*Front Matter 2, pg. 330*Contents, pg. 336*Preface, pg. 338*I. Introduction, pg. 346*II. The Player and His Company, pg. 355*III. Sharers, pg. 368*IV Hired Men, pg. 407*V. Apprentices, pg. 456*VI. Managers, pg. 490*VII. London Companies on Tour, pg. 520*VIII. Casting, pg. 549*IX. Conclusions, pg. 577*Appendix: Casts and Lists of Players, pg. 588*Index, pg. 640

Profession of Dramatist in Shakespeares Time

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    A Paperback / softback by Gerald Eades Bentley

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      View other formats and editions of Profession of Dramatist in Shakespeares Time by Gerald Eades Bentley

      Publisher: Princeton University Press
      Publication Date: Publication Date: 08/03/2015
      ISBN13: 9780691620046, 978-0691620046
      ISBN10: 0691620040

      Description

      Book Synopsis

      Gerald Eades Bentley assembles and analyzes the extant theatrical materials of the sixteenth and seventeenth centuries. His discussion of the working conditions of professional dramatists like Thomas Heywood, John Fletcher, and Philip Massinger as well as William Shakespeare rounds out the fascinating picture of the professionalism that developed i



      Table of Contents
      *Frontmatter, pg. i*Preface, pg. vii*Contents, pg. xi*I. Introduction, pg. 1*II. Amateur Dramatists and Professional Dramatists, pg. 11*III. The Status of Dramatists, Plays, Actors, and Theatres, pg. 38*IV. The Dramatist and the Acting Company, pg. 62*V. Dramatists' Pay, pg. 88*VI. Dramatists' Contractual Obligations, pg. 111*VII. Regulation and Censorship, pg. 145*VIII. Collaboration, pg. 197*IX. Revision, pg. 235*X. Publication, pg. 264*Index, pg. 293*Front Matter 2, pg. 330*Contents, pg. 336*Preface, pg. 338*I. Introduction, pg. 346*II. The Player and His Company, pg. 355*III. Sharers, pg. 368*IV Hired Men, pg. 407*V. Apprentices, pg. 456*VI. Managers, pg. 490*VII. London Companies on Tour, pg. 520*VIII. Casting, pg. 549*IX. Conclusions, pg. 577*Appendix: Casts and Lists of Players, pg. 588*Index, pg. 640

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