Description

Book Synopsis
The essays of this collection are, each in their own way, an attempt to address the centrality of emotions in literary and cultural production in a variety of genres, from medieval moralities to contemporary novels, from English Romanticism to film studies. Emotions are understood as mobile forms or forces, crossing between subjects and locations. The interdisciplinary and diverse nature of this collection reflects the view that emotions are interpersonal and forever slipping beyond our grasp. Yet, in thinking about emotion, we discover unexpected confluences. The contributions in this volume are grouped in five areas which reflect larger categories and provide a valid platform for interpretation of emotions: dynamics of modern culture, history, social sciences, interpersonal contexts, and imagination.

Table of Contents
Contents: Marta Komsta: «They All Look and Speak Like Machines:» A Rational Dystopia in Andrew Acworth’s A «New Eden» – Marcin Tereszewski: The Death of Affect: Embracing Capitalist Alienation in J.G. Ballard’s Fiction – Ewa Kowal: Financial and Emotional Geometries in Dan Gilroy’s «Nightcrawler», Crash by J.G. Ballard and Crash by David Cronenberg – Ryszard W. Wolny: Bret Easton Ellis’ American Psycho (1991): A Study in Consumerist Void of Emotions – Stankomir Nicieja: The Foreign City as an Emotional Catalyst: Revisiting Sophia Coppola’s Lost in Translation (2003) – Jacek Mydła: Joanna Baillie’s Dramatic Experiments with Strong Passions in the Light of the Idea of Sympathetic Spectatorship – Małgorzata Łuczyńska-Hołdys: The Road of Excess Leads to the Palace of Wisdom: Emotions, Superfluity and the Body in Selected Romantic Texts – Ewa Błasiak: Emotional Patterns in Morality Plays – Tomasz Dobrogoszcz: «Entering an Arena of Adult Emotion:» Briony’s Recognition of Otherness in Ian McEwan’s Atonement – Katarzyna Fetlińska: Homo Ludens: The Role of Pleasure in Iain Banks’s «The Player of Games» Murari Prasad: The Representation of Emotion in Arundhati Roy’s «The God of Small Things» – Kornelia Boczkowska: A Transcendental Response to Space Travel and the Alien Contact: Emotion Elicitation in Walt Disney’s and Pavel Klushantsev’s Early Space Age Documentaries – Agnieszka Łobodziec: Richard Wright’s Emotionalization of Racial Experience in «American Hunger» – Marek Pawlicki: The Many Faces of Homelessness: Politics, Emotions and Ethics in Nadine Gordimer’s «A Guest of Honour» – Patrycja Austin: Emotions Written in the Key of Life: Music and Individuality in Kazuo Ishiguro’s «Never Let Me Go» – Teresa Bruś: Moments of Emotions: Virginia Woolf Looks at Portraits – Elżbieta Litwin: The Triadic Nature of Emotion and Subtext: A Close Semiotic Reading of the «You Shall Not Pass» Scene in Peter Jackson’s Film Adaptation of J.R.R. Tolkien’s «The Lord of the Rings»: «The Fellowship of the Ring».

Production of Emotions: Perspectives and

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    A Hardback by Teresa Bruś, Marcin Tereszewski

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      Publisher: Peter Lang AG
      Publication Date: 06/06/2016
      ISBN13: 9783631659335, 978-3631659335
      ISBN10: 3631659334

      Description

      Book Synopsis
      The essays of this collection are, each in their own way, an attempt to address the centrality of emotions in literary and cultural production in a variety of genres, from medieval moralities to contemporary novels, from English Romanticism to film studies. Emotions are understood as mobile forms or forces, crossing between subjects and locations. The interdisciplinary and diverse nature of this collection reflects the view that emotions are interpersonal and forever slipping beyond our grasp. Yet, in thinking about emotion, we discover unexpected confluences. The contributions in this volume are grouped in five areas which reflect larger categories and provide a valid platform for interpretation of emotions: dynamics of modern culture, history, social sciences, interpersonal contexts, and imagination.

      Table of Contents
      Contents: Marta Komsta: «They All Look and Speak Like Machines:» A Rational Dystopia in Andrew Acworth’s A «New Eden» – Marcin Tereszewski: The Death of Affect: Embracing Capitalist Alienation in J.G. Ballard’s Fiction – Ewa Kowal: Financial and Emotional Geometries in Dan Gilroy’s «Nightcrawler», Crash by J.G. Ballard and Crash by David Cronenberg – Ryszard W. Wolny: Bret Easton Ellis’ American Psycho (1991): A Study in Consumerist Void of Emotions – Stankomir Nicieja: The Foreign City as an Emotional Catalyst: Revisiting Sophia Coppola’s Lost in Translation (2003) – Jacek Mydła: Joanna Baillie’s Dramatic Experiments with Strong Passions in the Light of the Idea of Sympathetic Spectatorship – Małgorzata Łuczyńska-Hołdys: The Road of Excess Leads to the Palace of Wisdom: Emotions, Superfluity and the Body in Selected Romantic Texts – Ewa Błasiak: Emotional Patterns in Morality Plays – Tomasz Dobrogoszcz: «Entering an Arena of Adult Emotion:» Briony’s Recognition of Otherness in Ian McEwan’s Atonement – Katarzyna Fetlińska: Homo Ludens: The Role of Pleasure in Iain Banks’s «The Player of Games» Murari Prasad: The Representation of Emotion in Arundhati Roy’s «The God of Small Things» – Kornelia Boczkowska: A Transcendental Response to Space Travel and the Alien Contact: Emotion Elicitation in Walt Disney’s and Pavel Klushantsev’s Early Space Age Documentaries – Agnieszka Łobodziec: Richard Wright’s Emotionalization of Racial Experience in «American Hunger» – Marek Pawlicki: The Many Faces of Homelessness: Politics, Emotions and Ethics in Nadine Gordimer’s «A Guest of Honour» – Patrycja Austin: Emotions Written in the Key of Life: Music and Individuality in Kazuo Ishiguro’s «Never Let Me Go» – Teresa Bruś: Moments of Emotions: Virginia Woolf Looks at Portraits – Elżbieta Litwin: The Triadic Nature of Emotion and Subtext: A Close Semiotic Reading of the «You Shall Not Pass» Scene in Peter Jackson’s Film Adaptation of J.R.R. Tolkien’s «The Lord of the Rings»: «The Fellowship of the Ring».

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