Description

Book Synopsis
Told from the perspective of the dancers, "Processing Choreography: Thinking with William Forsythe's Duo" is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community.

Table of Contents
Preface; Introduction; Ensemble: William Forsythe & Team; The Institutions of Ballett Frankfurt & The Forsythe Company; The Dancers; The Dancers' Practices; Duo's Art World; The Movement of Showerhead; Movement Material & Relations; Entrainment; Movement Profile of Duo; Creating Duo (1996); Re-Creating Duo (19962016); Conclusion: Choreography as Creative Organization; Bibliography; Appendix.

Processing Choreography – Thinking with William

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    A Paperback / softback by Elizabeth Waterhouse, Christina Budde

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      Publisher: Transcript Verlag
      Publication Date: 25/04/2023
      ISBN13: 9783837655889, 978-3837655889
      ISBN10: 3837655881
      Also in:
      Entertainment Dance

      Description

      Book Synopsis
      Told from the perspective of the dancers, "Processing Choreography: Thinking with William Forsythe's Duo" is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community.

      Table of Contents
      Preface; Introduction; Ensemble: William Forsythe & Team; The Institutions of Ballett Frankfurt & The Forsythe Company; The Dancers; The Dancers' Practices; Duo's Art World; The Movement of Showerhead; Movement Material & Relations; Entrainment; Movement Profile of Duo; Creating Duo (1996); Re-Creating Duo (19962016); Conclusion: Choreography as Creative Organization; Bibliography; Appendix.

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