Description

Book Synopsis
What kind of civic culture and virtues are required to maintain and develop a decent regime? The aim of this collection is to explore this theme from the perspective of the films of John Ford.

Trade Review
As we are on the threshold today of what may prove to be revolutionary changes in the American regime, it is entirely fitting that Sidney Pearson calls our attention back to the cultural revolution of the 1960s, by way of looking to the director whose films most effectively and artfully probed the issues at stake in America's cultural revolution from the perspective of heroic America. It is also fitting that Pearson approaches the films of such a great director with such a talented lineup of essayists, including some of our most interesting commentators on political philosophy and culture. For all who admire Ford's work, and especially for those of us who draw on it in our courses, this is an important and compelling collection. -- Ronald J. Pestritto, Hillsdale College
Although the marriage of political philosophy and film seems like a dubious exercise at best, these deftly crafted and persuasively argued essays show that the films of John Ford are as much entertainment as they are profound meditations on the nature and the meaning of the American experiment in self-government. One should go farther to say that in the absence of a keen understanding of American culture and political philosophy each of these authors bring their their analyses, we might never adequately appreciate and understand Ford's accomplishments. Ford's creations emerge at a critical time in American history, just as the cultural revolution of the 1960s gathered steam, when the meaning of America may have been indelibly transformed. These essays invite us to ponder, as Ford himself seems to have done, whether that transformation is in accord with our best hopes or our worst fears. -- Eduardo Velásquez, Washington and Lee University

Table of Contents
Chapter 1 Introduction Chapter 2 Chapter 1. Defending the West: John Ford and the Creation of the Epic Western Chapter 3 Chapter 2. The Blessings of Civilization: John Ford's Stagecoach Chapter 4 Chapter 3. John Ford's Revolutionary Americans: Drums Along the Mohawk Chapter 5 Chapter 4. Modernity and the Destruction of Boundaries: John Ford's The Grapes of Wrath Chapter 6 Chapter 5. On the Threshold of Modernity: John Ford's How Green Was My Valley Chapter 7 Chapter 6. Heroes and Political Communities in John Ford's Westerns: The Role of Wyatt Earp in My Darling Clementine Chapter 8 Chapter 7. The Western and the Western Drama: John Ford's The Searchers and the Oresteia Chapter 9 Chapter 8. Heroic Virtue and the Limits of Democracy in John Ford's The Searchers Chapter 10 Chapter 9. Honor, Duty, and Civic Virtue: John Ford's Mr. Roberts and The Last Hurrah Chapter 11 Why it is Tough to be the Second Toughest Guy in a Tough Town: John Ford's The Man Who Shot Liberty Valance

Print the Legend

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    A Paperback by John Marini, Brigid McMenamin

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      View other formats and editions of Print the Legend by

      Publisher: Lexington Books
      Publication Date: 6/16/2009 12:00:00 AM
      ISBN13: 9780739135631, 978-0739135631
      ISBN10: 0739135635

      Description

      Book Synopsis
      What kind of civic culture and virtues are required to maintain and develop a decent regime? The aim of this collection is to explore this theme from the perspective of the films of John Ford.

      Trade Review
      As we are on the threshold today of what may prove to be revolutionary changes in the American regime, it is entirely fitting that Sidney Pearson calls our attention back to the cultural revolution of the 1960s, by way of looking to the director whose films most effectively and artfully probed the issues at stake in America's cultural revolution from the perspective of heroic America. It is also fitting that Pearson approaches the films of such a great director with such a talented lineup of essayists, including some of our most interesting commentators on political philosophy and culture. For all who admire Ford's work, and especially for those of us who draw on it in our courses, this is an important and compelling collection. -- Ronald J. Pestritto, Hillsdale College
      Although the marriage of political philosophy and film seems like a dubious exercise at best, these deftly crafted and persuasively argued essays show that the films of John Ford are as much entertainment as they are profound meditations on the nature and the meaning of the American experiment in self-government. One should go farther to say that in the absence of a keen understanding of American culture and political philosophy each of these authors bring their their analyses, we might never adequately appreciate and understand Ford's accomplishments. Ford's creations emerge at a critical time in American history, just as the cultural revolution of the 1960s gathered steam, when the meaning of America may have been indelibly transformed. These essays invite us to ponder, as Ford himself seems to have done, whether that transformation is in accord with our best hopes or our worst fears. -- Eduardo Velásquez, Washington and Lee University

      Table of Contents
      Chapter 1 Introduction Chapter 2 Chapter 1. Defending the West: John Ford and the Creation of the Epic Western Chapter 3 Chapter 2. The Blessings of Civilization: John Ford's Stagecoach Chapter 4 Chapter 3. John Ford's Revolutionary Americans: Drums Along the Mohawk Chapter 5 Chapter 4. Modernity and the Destruction of Boundaries: John Ford's The Grapes of Wrath Chapter 6 Chapter 5. On the Threshold of Modernity: John Ford's How Green Was My Valley Chapter 7 Chapter 6. Heroes and Political Communities in John Ford's Westerns: The Role of Wyatt Earp in My Darling Clementine Chapter 8 Chapter 7. The Western and the Western Drama: John Ford's The Searchers and the Oresteia Chapter 9 Chapter 8. Heroic Virtue and the Limits of Democracy in John Ford's The Searchers Chapter 10 Chapter 9. Honor, Duty, and Civic Virtue: John Ford's Mr. Roberts and The Last Hurrah Chapter 11 Why it is Tough to be the Second Toughest Guy in a Tough Town: John Ford's The Man Who Shot Liberty Valance

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