Description
Book SynopsisThis book studies developments in art historical writing and factors which shaped the album preface. The prefaces were written in Persian between ca. 1491 and 1609 to introduce albums of calligraphy, painting, and drawing assembled for Safavid rulers and courtiers. Approaches to the study of these sources are examined, followed by an analysis of the sociohistorical court-centered context; the circumstances of the texts' composition, reception, and literary dimensions; and their art historical formation and content. It ends with an interpretation of calligrapher Dust Muhammad's preface and his conceptualization of a history and aesthetics of depiction. The book is the first to study the prefaces collectively and in relationship to other cultural practices. It also draws on a wide variety of additional primary sources. It includes forty illustrations and several tables.
Table of ContentsCHAPTER ONE: INTRODUCTION TO THE PREFACES CHAPTER TWO: THE AUTHORS AND THEIR MILIEU CHAPER THREE: COMPOSITION AND CONTEXT CHAPTER FOUR: LITERARY DIMENSIONS CHAPTER FIVE: ART IN HISTORY AND PRACTICE CHAPTER SIX: LIFTING THE VEIL FROM THE FACE OF DEPICTION: DUST MUHAMMAD’S PREFACE CHAPTER SEVEN: EPILOGUE APPENDIX 1. DESCRIPTION, LITERATURE, AND RECENSIONS APPENDIX 2. PREFACES IN OTHER LITERARY GENRES APPENDIX 3. MASTER-STUDENT RELATIONSHIPS GLOSSARY BIBLIOGRAPHY INDEX
