Description

Book Synopsis

Armed with pencil, eraser and breaker knife, Fabrice Souvereyns (1995 Tongeren) creates a detailed world from intense observations and perceptions.

Souvereyns's young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more invisible' themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as inspiration for the artist's eccentric plant world. Vegetal scenes in art reflect how humans relate to subjects such as nature, religion, philosophy or science at the time. Souvereyns makes use of this frame of reference but also leaves room for his personal formal language. As a result, a certain universality and restraint always hangs around his drawings: although they are based on centuries-old natural landscapes, we cannot exactly find them in reality. The line between reality and the (sub)consciousness blurs. While working, he is guided by spontaneity yet the drawings are not simply the result of automatism. Each movement, whether adding or omitting, leaves a unique trace, and is a deliberate choice by the artist.

Posture Editions N 50 brings together these diverse landscapes, making the book function as the young artist's first survey work.

Text in English and Dutch.

Posture 50 Erased and Not Erased N50

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    A Paperback by Barbara De Coninck

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      Publisher: Exhibitions International
      Publication Date: Publication Date: 9/4/2024
      ISBN13: 9789491262555, 978-9491262555
      ISBN10: 9491262556

      Description

      Book Synopsis

      Armed with pencil, eraser and breaker knife, Fabrice Souvereyns (1995 Tongeren) creates a detailed world from intense observations and perceptions.

      Souvereyns's young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more invisible' themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as inspiration for the artist's eccentric plant world. Vegetal scenes in art reflect how humans relate to subjects such as nature, religion, philosophy or science at the time. Souvereyns makes use of this frame of reference but also leaves room for his personal formal language. As a result, a certain universality and restraint always hangs around his drawings: although they are based on centuries-old natural landscapes, we cannot exactly find them in reality. The line between reality and the (sub)consciousness blurs. While working, he is guided by spontaneity yet the drawings are not simply the result of automatism. Each movement, whether adding or omitting, leaves a unique trace, and is a deliberate choice by the artist.

      Posture Editions N 50 brings together these diverse landscapes, making the book function as the young artist's first survey work.

      Text in English and Dutch.

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