Description

Book Synopsis

How should we understand the experience of encountering and interpreting images? What are their roles in science and medicine? How do they shape everyday life? Postphenomenology and Imaging: How to Read Technology brings together scholars from multiple disciplines to investigate these questions. The contributors make use of the “postphenomenological” philosophical perspective, applying its distinctive ideas to the study of how images are experienced. These essays offer both philosophical analysis of our conception of images and empirical studies of imaging practice. The contributors analyze concrete examples from a variety of fields of science and medicine, including radiology, neuroscience, cytology, physics, remote sensing, and space science. They also include examples of imaging in everyday life, from smartphone apps to animated GIFs. Edited by Samantha J. Fried and Robert Rosenberger, this collection includes an extensive “primer” chapter introducing and expanding the postphenomenological account of imaging, as well as a set of short pieces by “critical respondents”: prominent scholars who may not self-identify as doing postphenomenology but whose adjacent work is illuminating.



Table of Contents

Contents

Introduction

Samantha J. Fried & Robert Rosenberger

SECTION 1: Primer

1. A Primer on Postphenomenology and Image Reading

Robert Rosenberger

SECTION 2: Postphenomenological Thought Experiments: Multiplying Multiples

2. Affect in the Age of the Image: The .gif Use Case

Stacey O. Irwin

3. Science Comes Late to Sonification

Don Ihde

4. Radiology as Skillful Coping and Enactive Hermeneutics: A Critique of Representations and Corresponding Truth

Jan Kyrre Berg Friis

SECTION 3: Embodied Postphenomenology: Ethnographies of the Interactive Multiple

5. Image Interpretation as Object Constitution: Hermeneutic Strategies in Neuroscientific Practice

Bas de Boer

6. “To Be Or Not To Be”: Hermeneutic Relations Through Technology in Clinical Cytology Anette Forss

7. Not Too Queer To Be Straight And Not Too Straight To Be Queer: Becoming Bisexual Through The Screen Of Digital Hook-Up App Bumble

Katie Warfield

SECTION 4: Postphenomenology as Practice/Theory

8. Feynman Diagrams and the Phenomenology of Paper Tools

Robert P. Crease

9. Collective Visual Hermeneutics: How Posthumanist Learning Forms Perception with Technologies

Cathrine Hasse

10. Philosophize In It! Politicize With it!: Postphenomenology and Earth Remote Sensing as Sites of Political/Scientific Intervention

Samantha J. Fried

SECTION 5: Critical Respondents

11. Attending to the Otherwise: Reading Illusions through Virtual Reality

Lisa Messeri

12. Reflections on Postphenomenological Crossings

Janet Vertesi

13. Representationalism and Digital Imagery

Will Sutherland and David Ribes

About the Contributors

Postphenomenology and Imaging: How to Read

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A Hardback by Samantha J. Fried, Robert Rosenberger, Robert P. Crease

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    View other formats and editions of Postphenomenology and Imaging: How to Read by Samantha J. Fried

    Publisher: Lexington Books
    Publication Date: 12/07/2021
    ISBN13: 9781793604552, 978-1793604552
    ISBN10: 179360455X

    Description

    Book Synopsis

    How should we understand the experience of encountering and interpreting images? What are their roles in science and medicine? How do they shape everyday life? Postphenomenology and Imaging: How to Read Technology brings together scholars from multiple disciplines to investigate these questions. The contributors make use of the “postphenomenological” philosophical perspective, applying its distinctive ideas to the study of how images are experienced. These essays offer both philosophical analysis of our conception of images and empirical studies of imaging practice. The contributors analyze concrete examples from a variety of fields of science and medicine, including radiology, neuroscience, cytology, physics, remote sensing, and space science. They also include examples of imaging in everyday life, from smartphone apps to animated GIFs. Edited by Samantha J. Fried and Robert Rosenberger, this collection includes an extensive “primer” chapter introducing and expanding the postphenomenological account of imaging, as well as a set of short pieces by “critical respondents”: prominent scholars who may not self-identify as doing postphenomenology but whose adjacent work is illuminating.



    Table of Contents

    Contents

    Introduction

    Samantha J. Fried & Robert Rosenberger

    SECTION 1: Primer

    1. A Primer on Postphenomenology and Image Reading

    Robert Rosenberger

    SECTION 2: Postphenomenological Thought Experiments: Multiplying Multiples

    2. Affect in the Age of the Image: The .gif Use Case

    Stacey O. Irwin

    3. Science Comes Late to Sonification

    Don Ihde

    4. Radiology as Skillful Coping and Enactive Hermeneutics: A Critique of Representations and Corresponding Truth

    Jan Kyrre Berg Friis

    SECTION 3: Embodied Postphenomenology: Ethnographies of the Interactive Multiple

    5. Image Interpretation as Object Constitution: Hermeneutic Strategies in Neuroscientific Practice

    Bas de Boer

    6. “To Be Or Not To Be”: Hermeneutic Relations Through Technology in Clinical Cytology Anette Forss

    7. Not Too Queer To Be Straight And Not Too Straight To Be Queer: Becoming Bisexual Through The Screen Of Digital Hook-Up App Bumble

    Katie Warfield

    SECTION 4: Postphenomenology as Practice/Theory

    8. Feynman Diagrams and the Phenomenology of Paper Tools

    Robert P. Crease

    9. Collective Visual Hermeneutics: How Posthumanist Learning Forms Perception with Technologies

    Cathrine Hasse

    10. Philosophize In It! Politicize With it!: Postphenomenology and Earth Remote Sensing as Sites of Political/Scientific Intervention

    Samantha J. Fried

    SECTION 5: Critical Respondents

    11. Attending to the Otherwise: Reading Illusions through Virtual Reality

    Lisa Messeri

    12. Reflections on Postphenomenological Crossings

    Janet Vertesi

    13. Representationalism and Digital Imagery

    Will Sutherland and David Ribes

    About the Contributors

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