Description
Book SynopsisBased on a dialogical premise, this book provides a comparative analysis of two interrelated literary fields: postcolonial and women’s/feminist, viewed through the ideological and aesthetic prism of the grotesque. The author examines the work of novelists such as Githa Hariharan, Salman Rushdie, Gabriel García Márquez, Robert Coover and Ben Okri, selected to reveal the range and intensity of the grotesque in contemporary fiction through their de/constructions of gender and postcolonial politics.
Complementary fields with the grotesque are considered through theorisations of Mary Russo, Julia Kristeva, Martha Reineke, René Girard and other intellectuals. Various literary formulations/frameworks are discussed to supplement views presented in the canonical texts of Mikhail Bakhtin and Wolfgang Kayser: post-colonial feminine identity/alterity/exoticism; postcolonial national identity; female grotesqueness and animal metamorphosis; abjectification; the principle of sacrificial economy; mythologisations of feminine martyrdom and motherhood; religious and political tyranny associated with imperialism and re-appropriation of carnivalesque-grotesque types in postmodernity.
Table of ContentsContents: Cultural and Literary Criticism: Locations of the Grotesque – Dialogism and the Poetics of the Carnivalesque-Grotesque – Historical Overview of Grotesque Art, Literature, and Criticism – Dialogical Readings: Practices of the Grotesque – Sacrificing the Animal-Woman – Spiritual Realism or African Magical Realism: Hunger and the Supernatural in
The Famished Road – In the Heart of Darkness: Travels Through a Grotesque Puppet Land in
Pinocchio in Venice.
