Description

Book Synopsis
In this how-to guide, practitioners at cultural heritage venues share their experiences in building sustainable relationships with their geographic and demographic communities. The volume includes practical discussions of activity types that museums can employ to build relationships with their communities including education, advocacy, co-creative, while serving as a community asset and resource. Case studies include direct application of successes and lessons learned with an emphasis on small to medium sized institutions with limited staff and budgets. Highlights include:Thematic discussions on topics such as building an advocacy network between the museum and community; developing cultural heritage institutions as critical and essential components of educational systems; museum response to community expressed needs through a co-creative approach; the varied means for developing community members as cultural heritage stakeholders; and positioning the cultural heritage institution as

Trade Review
Happily, this volume is not yet one more call for museums to engage with the communities they serve –as its editors note, that would be nothing new. Rather, the book is a “how-to” guide, illustrated with case studies drawn from a wide variety of contexts, and including a digital resource guide (linked to ancillary online content) compiled by the book’s contributors. This volume demonstrates how reciprocal, mutually empowered community engagement is a profoundly co-creative process which benefits both communities and the museums which serve them. -- Carol McDavid, Executive Director, Community Archaeology Research Institute, Inc.
Positioning Your Museum as a Critical Community Asset: A Practical Guide is a major contribution to studies about community engagement and participatory strategies in museums. Encompassing examples from more than two dozen contributors, the book is a valuable manual of tested and inexpensive "bottom-up" or "co-creation" approaches. This is a must-read not just for museum professionals but also for everyone in the critical museum studies field. -- Helaine Silverman, Professor, Department of Anthropology, University of Illinois (Urbana)

Table of Contents
Introduction- Robert P. Connolly and Elizabeth A. Bollwerk Part 1 - Communities Making Meaning in Museum Education – Jody Stokes Casey Case Studies 1.Developing High School Curriculum: The C.H. Nash Museum and Freedom Prep Charter School Project – Nur Abdalla and Lyndsey Pender 2.Creating a Museum in a School: Cultural Heritage in Nivín, Perú– Gustavo Valencia Tello and Elizabeth Cruzado 3.Meeting Teacher Needs: Digital Collections in the Classroom – Shana Crosson 4.Using Postcard Collections as a Primary Resource in the Classroom - Brian Failing 5.Words, Stone, Earth, and Paint: Using Creative Writing to Engage a Community with Its Museum – Mary Anna Evans Part 2 – The Value of Open(ing) Authority and Participatory Frameworks for Museums – Elizabeth A. Bollwerk Case Studies 1.Oral History For, About, and By a Local Community: Co-Creation in the Peruvian Highlands – Elizabeth Cruzado and Leodan Alejo Valerio 2.Working with a Private Collector to Strengthen Women’s History: Sewall-Belmont House & Museum – Rebecca Price. 3.Reconnecting a University Museum Collection with Hopi Farmers through an Undergraduate Class– Lisa Young and Susan Sekaquaptewa 4.Our Stories, Our Places: Centering the Community as Narrative Voice in the Reinterpretation of an African American Historic Site - Porchia Moore Part 3 – Advocacy for Heritage Professionals During the Crisis and the Calm – Sarah E. Miller Case Studies 1.Making Advocacy Everyone’s Priority – Ember Farber 2.Impact Statements – Demonstrating a Museum’s Public Value – Robert P. Connolly 3.Small Fish, Big Pond: How to Effectively Advocate in Your Community – Melissa Prycer Part 4 – Museums Engaging With People As A Community Resource – Robert P. Connolly Case Studies 1.Taking Steps to Make a Museum Special Needs Friendly – Colleen McCartney 2.Incorporating Descendent Community Voices: The Whitney Plantation – Ashley Rogers 3.How Community Input Can Shape a Mission: The Proposed Eggleston Museum – Allison Hennie 4.Building a Community History at the University of the West Indies Museum – Suzanne Francis-Brown 5.Telling Our Town’s History: The Muscatine History and Industry Center – Mary Wildermuth 6.Working to Address Community Needs: The Missouri History Museum – Melanie Adams Part 5 – Engaging User Audiences in the Digital Landscape – Brigitte Billedeaux and Jennifer Schnabel Case Studies 1.Creating a Digital Library for Community Access: A. Schwab on Beale Street – Brigitte Billedeaux 2.Separating the Glitz from the Practical in Social Media at the National Underground Railroad Museum – Jamie Glavic and Assia Johnson 3.How a Simple, Inexpensive Podcast Engaged an Entire Community: Chick History, Inc – Rebecca Price 4.Recording the Neglected Sports Stories From the Backside - Holly Solis 5.Small Museum Website Creation with a Limited Staff and Budget: The Arden Craft Shop Museum – Kelsey Ransick Part 6 – Resources

Positioning Your Museum as a Critical Community

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    A Hardback by Elizabeth A. Bollwerk

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      Publisher: Rowman & Littlefield
      Publication Date: 1/14/2016 12:11:00 AM
      ISBN13: 9781442275690, 978-1442275690
      ISBN10: 1442275693

      Description

      Book Synopsis
      In this how-to guide, practitioners at cultural heritage venues share their experiences in building sustainable relationships with their geographic and demographic communities. The volume includes practical discussions of activity types that museums can employ to build relationships with their communities including education, advocacy, co-creative, while serving as a community asset and resource. Case studies include direct application of successes and lessons learned with an emphasis on small to medium sized institutions with limited staff and budgets. Highlights include:Thematic discussions on topics such as building an advocacy network between the museum and community; developing cultural heritage institutions as critical and essential components of educational systems; museum response to community expressed needs through a co-creative approach; the varied means for developing community members as cultural heritage stakeholders; and positioning the cultural heritage institution as

      Trade Review
      Happily, this volume is not yet one more call for museums to engage with the communities they serve –as its editors note, that would be nothing new. Rather, the book is a “how-to” guide, illustrated with case studies drawn from a wide variety of contexts, and including a digital resource guide (linked to ancillary online content) compiled by the book’s contributors. This volume demonstrates how reciprocal, mutually empowered community engagement is a profoundly co-creative process which benefits both communities and the museums which serve them. -- Carol McDavid, Executive Director, Community Archaeology Research Institute, Inc.
      Positioning Your Museum as a Critical Community Asset: A Practical Guide is a major contribution to studies about community engagement and participatory strategies in museums. Encompassing examples from more than two dozen contributors, the book is a valuable manual of tested and inexpensive "bottom-up" or "co-creation" approaches. This is a must-read not just for museum professionals but also for everyone in the critical museum studies field. -- Helaine Silverman, Professor, Department of Anthropology, University of Illinois (Urbana)

      Table of Contents
      Introduction- Robert P. Connolly and Elizabeth A. Bollwerk Part 1 - Communities Making Meaning in Museum Education – Jody Stokes Casey Case Studies 1.Developing High School Curriculum: The C.H. Nash Museum and Freedom Prep Charter School Project – Nur Abdalla and Lyndsey Pender 2.Creating a Museum in a School: Cultural Heritage in Nivín, Perú– Gustavo Valencia Tello and Elizabeth Cruzado 3.Meeting Teacher Needs: Digital Collections in the Classroom – Shana Crosson 4.Using Postcard Collections as a Primary Resource in the Classroom - Brian Failing 5.Words, Stone, Earth, and Paint: Using Creative Writing to Engage a Community with Its Museum – Mary Anna Evans Part 2 – The Value of Open(ing) Authority and Participatory Frameworks for Museums – Elizabeth A. Bollwerk Case Studies 1.Oral History For, About, and By a Local Community: Co-Creation in the Peruvian Highlands – Elizabeth Cruzado and Leodan Alejo Valerio 2.Working with a Private Collector to Strengthen Women’s History: Sewall-Belmont House & Museum – Rebecca Price. 3.Reconnecting a University Museum Collection with Hopi Farmers through an Undergraduate Class– Lisa Young and Susan Sekaquaptewa 4.Our Stories, Our Places: Centering the Community as Narrative Voice in the Reinterpretation of an African American Historic Site - Porchia Moore Part 3 – Advocacy for Heritage Professionals During the Crisis and the Calm – Sarah E. Miller Case Studies 1.Making Advocacy Everyone’s Priority – Ember Farber 2.Impact Statements – Demonstrating a Museum’s Public Value – Robert P. Connolly 3.Small Fish, Big Pond: How to Effectively Advocate in Your Community – Melissa Prycer Part 4 – Museums Engaging With People As A Community Resource – Robert P. Connolly Case Studies 1.Taking Steps to Make a Museum Special Needs Friendly – Colleen McCartney 2.Incorporating Descendent Community Voices: The Whitney Plantation – Ashley Rogers 3.How Community Input Can Shape a Mission: The Proposed Eggleston Museum – Allison Hennie 4.Building a Community History at the University of the West Indies Museum – Suzanne Francis-Brown 5.Telling Our Town’s History: The Muscatine History and Industry Center – Mary Wildermuth 6.Working to Address Community Needs: The Missouri History Museum – Melanie Adams Part 5 – Engaging User Audiences in the Digital Landscape – Brigitte Billedeaux and Jennifer Schnabel Case Studies 1.Creating a Digital Library for Community Access: A. Schwab on Beale Street – Brigitte Billedeaux 2.Separating the Glitz from the Practical in Social Media at the National Underground Railroad Museum – Jamie Glavic and Assia Johnson 3.How a Simple, Inexpensive Podcast Engaged an Entire Community: Chick History, Inc – Rebecca Price 4.Recording the Neglected Sports Stories From the Backside - Holly Solis 5.Small Museum Website Creation with a Limited Staff and Budget: The Arden Craft Shop Museum – Kelsey Ransick Part 6 – Resources

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