Description

Why has Portugal's vibrant and creative cinema industry not been more commercially successful? This book traces the evolution of Portuguese cinema between the beginning of the New Cinema movement in 1960 and the height of the economic crisis in 2010 from a socio-cultural and economic perspective. It aims to explain why this vibrant and creative industry has not been more commercially successful and pays especial attention to questions of financial viability, domestic consumption, international distribution, and the effects of legislation. It shows how film-makers have responded to historical difficulties and material obstacles and how market conditions have influenced aesthetics. Drawing on quantitative and qualitative data, film theory, and history, the book assesses the place of Portuguese cinema within Portuguese culture as well as the wider film world. While focussed on the case of Portugal, it also sheds light on problems faced by other peripheral film cultures in the international marketplace and on the festival circuit.

Portuguese Cinema (1960-2010): Consumption, Circulation and Commerce

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Hardback by André Rui Graça

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Why has Portugal's vibrant and creative cinema industry not been more commercially successful? This book traces the evolution of Portuguese... Read more

    Publisher: Boydell & Brewer Ltd
    Publication Date: 21/05/2021
    ISBN13: 9781855663435, 978-1855663435
    ISBN10: 1855663430

    Number of Pages: 285

    Non Fiction , Art & Photography

    Description

    Why has Portugal's vibrant and creative cinema industry not been more commercially successful? This book traces the evolution of Portuguese cinema between the beginning of the New Cinema movement in 1960 and the height of the economic crisis in 2010 from a socio-cultural and economic perspective. It aims to explain why this vibrant and creative industry has not been more commercially successful and pays especial attention to questions of financial viability, domestic consumption, international distribution, and the effects of legislation. It shows how film-makers have responded to historical difficulties and material obstacles and how market conditions have influenced aesthetics. Drawing on quantitative and qualitative data, film theory, and history, the book assesses the place of Portuguese cinema within Portuguese culture as well as the wider film world. While focussed on the case of Portugal, it also sheds light on problems faced by other peripheral film cultures in the international marketplace and on the festival circuit.

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