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Book Synopsis

Winner of the Susan Smith Blackburn Prize, 1997.

Carr's harrowing play has the scale and anguish of myth, and the immediacy of a contemporary anecdote.' Independent on Sunday

There's a wolf tooth growin in me heart and it's turnin me from everywan and everthin I am.

Portia Coughlan lives life in monstrous limbo, haunted by a yearning for her spectral twin brother lying at the bottom of the Belmont river, unable to find any love for her wealthy husband and children, seeking solace in soulless affairs, deeply afraid of what she might do.

Portia Coughlan premiered on the Abbey Theatre's Peacock Stage, Dublin, in April 1996 and transferred to the Royal Court Theatre, London, in May that year. It was revived at the Almeida Theatre, London, in October 2023.

Taut and haunting, funny and sad . . . Carr plays with time and place to resonant, ultimately devastating effect.' The Stage

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Portia Coughlan

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    A Paperback / softback by Marina Carr

    7 in stock


      View other formats and editions of Portia Coughlan by Marina Carr

      Publisher: Faber & Faber
      Publication Date: 19/10/2023
      ISBN13: 9780571389179, 978-0571389179
      ISBN10: 0571389171
      Also in:
      Poetry

      Description

      Book Synopsis

      Winner of the Susan Smith Blackburn Prize, 1997.

      Carr's harrowing play has the scale and anguish of myth, and the immediacy of a contemporary anecdote.' Independent on Sunday

      There's a wolf tooth growin in me heart and it's turnin me from everywan and everthin I am.

      Portia Coughlan lives life in monstrous limbo, haunted by a yearning for her spectral twin brother lying at the bottom of the Belmont river, unable to find any love for her wealthy husband and children, seeking solace in soulless affairs, deeply afraid of what she might do.

      Portia Coughlan premiered on the Abbey Theatre's Peacock Stage, Dublin, in April 1996 and transferred to the Royal Court Theatre, London, in May that year. It was revived at the Almeida Theatre, London, in October 2023.

      Taut and haunting, funny and sad . . . Carr plays with time and place to resonant, ultimately devastating effect.' The Stage

      One of the

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