Description

Book Synopsis

Written for a broad audience and grounded in cutting-edge, contemporary scholarship, this volume addresses some of the key questions asked about pornography today. What is it? For whom is it produced? What sorts of sexualities does it help produce? Why should we study it, and what should be the most urgent issues when we do? What does it mean when we talk about pornography as violence? What could it mean if we discussed pornography through frameworks of consent, self-determination and performance?

This book places the arguments from conservative and radical anti-porn activists against the challenges coming from a new generation of feminist and queer porn performers and educators. Combining sensitive and detailed discussion of case studies with careful attention to the voices of those working in pornography, it provides scholars, activists and those hoping to find new ways of understanding sexuality with the first overview of the histories and futures of pornography.



Trade Review
“Here, at last, is an introductory book that grounds the study of pornography in theory and empirical research, discusses it in relation to industry, labour, technology, regulation and performance, and is thoroughly accessible and engaging. Sullivan and McKee’s book will become the key text for anyone researching pornography, as well as those who are interested in sex, sexuality and media.”
Feona Attwood, Middlesex University

“Eschewing simplistic causal models, Sullivan and McKee offer a rich and nuanced exploration of pornographic entertainments. Their account recognizes pornography as part of the vast creative industry: neither good nor bad, neither necessarily transgressive nor oppressive. Instead, they interrogate the multiple valences of sexual representations, their production and consumption, in the twenty-first century. Sullivan and McKee offer an engaging and critical approach to this polarizing topic and, like the very best scholars, open up multiple directions for future research.’”
Clarissa Smith, University of Sunderland

Table of Contents
Contents
Acknowledgements
1. Introduction
2. The Global Creative Industry of Pornography
3. Pornography and Communication Technologies
4. Pornography and Violence
5. Pornification and Sexualised Bodies
6. Pornography Governance and Sexual Citizenship
7. Performing Pornography, Practicing Sexual Politics
8. Conclusion
Notes
References

Pornography

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    £45.00

    Includes FREE delivery

    RRP £50.00 – you save £5.00 (10%)

    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Hardback by Rebecca Sullivan, Alan McKee

    15 in stock


      View other formats and editions of Pornography by Rebecca Sullivan

      Publisher: John Wiley and Sons Ltd
      Publication Date: 04/09/2015
      ISBN13: 9780745651934, 978-0745651934
      ISBN10: 0745651933

      Description

      Book Synopsis

      Written for a broad audience and grounded in cutting-edge, contemporary scholarship, this volume addresses some of the key questions asked about pornography today. What is it? For whom is it produced? What sorts of sexualities does it help produce? Why should we study it, and what should be the most urgent issues when we do? What does it mean when we talk about pornography as violence? What could it mean if we discussed pornography through frameworks of consent, self-determination and performance?

      This book places the arguments from conservative and radical anti-porn activists against the challenges coming from a new generation of feminist and queer porn performers and educators. Combining sensitive and detailed discussion of case studies with careful attention to the voices of those working in pornography, it provides scholars, activists and those hoping to find new ways of understanding sexuality with the first overview of the histories and futures of pornography.



      Trade Review
      “Here, at last, is an introductory book that grounds the study of pornography in theory and empirical research, discusses it in relation to industry, labour, technology, regulation and performance, and is thoroughly accessible and engaging. Sullivan and McKee’s book will become the key text for anyone researching pornography, as well as those who are interested in sex, sexuality and media.”
      Feona Attwood, Middlesex University

      “Eschewing simplistic causal models, Sullivan and McKee offer a rich and nuanced exploration of pornographic entertainments. Their account recognizes pornography as part of the vast creative industry: neither good nor bad, neither necessarily transgressive nor oppressive. Instead, they interrogate the multiple valences of sexual representations, their production and consumption, in the twenty-first century. Sullivan and McKee offer an engaging and critical approach to this polarizing topic and, like the very best scholars, open up multiple directions for future research.’”
      Clarissa Smith, University of Sunderland

      Table of Contents
      Contents
      Acknowledgements
      1. Introduction
      2. The Global Creative Industry of Pornography
      3. Pornography and Communication Technologies
      4. Pornography and Violence
      5. Pornification and Sexualised Bodies
      6. Pornography Governance and Sexual Citizenship
      7. Performing Pornography, Practicing Sexual Politics
      8. Conclusion
      Notes
      References

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