Description

The book documents an exceptional event - the first conference joining Polish and Chinese art historians, organized by the Polish Society of Oriental Art, now the Polish Institute of World Art Studies in Warsaw and Confucius Institute of Jagiellonian University in 2009. The outcome of this meeting is a collection of texts covering various topics. They include syntheses of different periods and phenomena through the history of Polish and Chinese art; the rarely investigated matters of the artistic contacts between both countries, especially as researched and presented from the Chinese point of view; and the reflections on affinities and common tendencies in modern and contemporary art of China and Poland. The whole volume allows the comparison of the areas of interest and approaches presented by art historians of both countries, as well as insight into the Polish research on the Chinese art, now developing very dynamically. It is worth mentioning that the Chinese version of the volume will appear soon.

Poland–China: Art and Cultural Heritage

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Hardback by Joanna Wasilewska

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The book documents an exceptional event - the first conference joining Polish and Chinese art historians, organized by the Polish... Read more

    Publisher: Uniwersytet Jagiellonski, Wydawnictwo
    Publication Date: 22/06/2008
    ISBN13: 9788323332350, 978-8323332350
    ISBN10: 8323332355

    Number of Pages: 348

    Non Fiction , Art & Photography

    Description

    The book documents an exceptional event - the first conference joining Polish and Chinese art historians, organized by the Polish Society of Oriental Art, now the Polish Institute of World Art Studies in Warsaw and Confucius Institute of Jagiellonian University in 2009. The outcome of this meeting is a collection of texts covering various topics. They include syntheses of different periods and phenomena through the history of Polish and Chinese art; the rarely investigated matters of the artistic contacts between both countries, especially as researched and presented from the Chinese point of view; and the reflections on affinities and common tendencies in modern and contemporary art of China and Poland. The whole volume allows the comparison of the areas of interest and approaches presented by art historians of both countries, as well as insight into the Polish research on the Chinese art, now developing very dynamically. It is worth mentioning that the Chinese version of the volume will appear soon.

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