Description

Book Synopsis
The most familiar format of electronic dance music is the DJ set. Performed live with turntables, headphones, twelve-inch vinyl records, and a mixing board, these performances are largely improvised, evolving in response to the demands of a particular situation through interaction with a dancing audience.

Trade Review
Playing with Something That Runs is an immaculate piece of popular musicology, with the potential to become one the cornerstone texts in our discipline. Its interdisciplinary approach provides an incredibly compelling insight into the performance and consumption of live EDM, and the companion website offers a great tool in bringing the discussions of recordings and performances to life through carefully curated audio and video examples. * Toby Young, Dancecult.net *
These reflections do not fail to pose many difficulties to the musical theory: where does the identity of the work lie? Is there a hierarchy between different "versions" of the same "composition"? Why are some compositions not intended to be listened to publicly but only to provide the raw material of improvisation?...What is the relationship between human and technology? In asking these questions, Mark Butler invites us to go beyond many of the common places of musicology that have been settled since the nineteenth century as the objections between product and process, work and performance, composition and improvisation - and many othersIt shows us that popular electronic music is the current place for an intense widening of the spectrum of possible on the future of musical creation, both in the field of avant-garde and mainstream music. * Emmanuel Parent, L'Université Rennes 2, Volume! *

Table of Contents
Introduction ; 1. Remixing One's Self: Ontologies of the Provisional Work ; 2. Performing Performance: Interface, Design, Liveness and Listener Orientation ; 3. Making it Up and Breaking it Down: Improvisation in EDM Performance ; 4. Looking for the Perfect Loop: Musical Technologies of Mediated Improvisation ; Appendix ; Works Cited

Playing with Something That Runs Technology Improvisation And Composition In Dj And Laptop Performance

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A Paperback by Mark J. Butler

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    View other formats and editions of Playing with Something That Runs Technology Improvisation And Composition In Dj And Laptop Performance by Mark J. Butler

    Publisher: Oxford University Press
    Publication Date: 7/31/2014 12:00:00 AM
    ISBN13: 9780195393620, 978-0195393620
    ISBN10: 0195393627

    Description

    Book Synopsis
    The most familiar format of electronic dance music is the DJ set. Performed live with turntables, headphones, twelve-inch vinyl records, and a mixing board, these performances are largely improvised, evolving in response to the demands of a particular situation through interaction with a dancing audience.

    Trade Review
    Playing with Something That Runs is an immaculate piece of popular musicology, with the potential to become one the cornerstone texts in our discipline. Its interdisciplinary approach provides an incredibly compelling insight into the performance and consumption of live EDM, and the companion website offers a great tool in bringing the discussions of recordings and performances to life through carefully curated audio and video examples. * Toby Young, Dancecult.net *
    These reflections do not fail to pose many difficulties to the musical theory: where does the identity of the work lie? Is there a hierarchy between different "versions" of the same "composition"? Why are some compositions not intended to be listened to publicly but only to provide the raw material of improvisation?...What is the relationship between human and technology? In asking these questions, Mark Butler invites us to go beyond many of the common places of musicology that have been settled since the nineteenth century as the objections between product and process, work and performance, composition and improvisation - and many othersIt shows us that popular electronic music is the current place for an intense widening of the spectrum of possible on the future of musical creation, both in the field of avant-garde and mainstream music. * Emmanuel Parent, L'Université Rennes 2, Volume! *

    Table of Contents
    Introduction ; 1. Remixing One's Self: Ontologies of the Provisional Work ; 2. Performing Performance: Interface, Design, Liveness and Listener Orientation ; 3. Making it Up and Breaking it Down: Improvisation in EDM Performance ; 4. Looking for the Perfect Loop: Musical Technologies of Mediated Improvisation ; Appendix ; Works Cited

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