Description
Book SynopsisJulia Franck, winner of the 2007 German Book Prize for
Die Mittagsfrau (
The Blind Side of the Heart), puts the experience of women – and mothers – at the core of her novels and short stories. This study, the first book exclusively about Franck, addresses the various roles that women play in her œuvre: lovers, daughters, mothers, and sisters. With an eye to the way these roles are influenced by and connected to domestic space, the author examines the desire for intimacy and connection that motivates Franck’s characters. Drawing on theories of both performance and performativity, the author argues that Franck creates these identities as mutable and changeable, in effect opening up women’s roles for resignification in an age of renewed feminist inquiry.
Table of ContentsContents: Introduction: The ‘Fräuleinwunder’ and feminism – Roles: Theorizing performativity and performance – Lovers: The search for and failure of intimacy in Berlin literature – Daughters: Psychoanalytic theory, domestic space, and maternal desire – Mothers: Refuting psychoanalytic models, the bad mother, and ‘Maternal drag’ – Fathers and Sons: Absent fathers, sisters, and siblings, and looking for home.
