Description

Book Synopsis
This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical structure of the playhouses, the services provided in the auditorium, the cost of a ticket and a cushion, the size of the crowds, the smells, the pickpockets, and the collective feelings generated by the plays. As well as revising and adding new material which has emerged since the second edition, Gurr develops new sections. He considers the difference between Shakespearean and modern thinking about early staging, the complex historical process which established the permanent playhouses, and the development of a distinctly different acting style in the open-air playhouses from that of the indoor halls. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.

Trade Review
"...a staple in Shakespeare studies. Essential." P.D. Nelsen, Marlboro College, CHOICE
"This amusing glimpse into the habits of the London audiences, and the use to which Gurr puts it, are characteristic of his informative study." The Times Literary Supplement

Table of Contents
1. Introduction; 2. Physical conditions; 3. Social composition; 4. Mental composition; 5. The evolution of tastes; Appendix 1: Playgoers 1567–1642; Appendix 2: References to playgoing.

Playgoing in Shakespeares London

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    A Paperback by Andrew Gurr

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      View other formats and editions of Playgoing in Shakespeares London by Andrew Gurr

      Publisher: Cambridge University Press
      Publication Date: 6/10/2004 12:00:00 AM
      ISBN13: 9780521543224, 978-0521543224
      ISBN10: 0521543223
      Also in:
      Theatre studies

      Description

      Book Synopsis
      This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical structure of the playhouses, the services provided in the auditorium, the cost of a ticket and a cushion, the size of the crowds, the smells, the pickpockets, and the collective feelings generated by the plays. As well as revising and adding new material which has emerged since the second edition, Gurr develops new sections. He considers the difference between Shakespearean and modern thinking about early staging, the complex historical process which established the permanent playhouses, and the development of a distinctly different acting style in the open-air playhouses from that of the indoor halls. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.

      Trade Review
      "...a staple in Shakespeare studies. Essential." P.D. Nelsen, Marlboro College, CHOICE
      "This amusing glimpse into the habits of the London audiences, and the use to which Gurr puts it, are characteristic of his informative study." The Times Literary Supplement

      Table of Contents
      1. Introduction; 2. Physical conditions; 3. Social composition; 4. Mental composition; 5. The evolution of tastes; Appendix 1: Playgoers 1567–1642; Appendix 2: References to playgoing.

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